A well-told story of one woman’s life, with appealing supernatural undercurrents.
Lee, in her debut novel, fictionalizes the story of her English grandmother’s life.
In the early 20th century in Church Stretton, Shropshire, England, Mary Eileen, nicknamed Mollie, lives with her brothers, Les and Fred, and their loving parents. Although generally content, she wishes her legs weren’t quite so short; as she and her peers mature, her girlfriends find boyfriends, but Mollie remains unattached. During World War II, she takes on the local milk route, earning the nickname of “Mollie the Milk” and enduring good-natured teasing about finding her “cream.” She spies young soldier Jack Meredith home on leave, and, one day, he invites her for a drink. They soon marry, but after Jack leaves, he does not return from the battlefield. She meets another suitor, mechanic Bill Cooke, and is initially hesitant, but she heeds the advice from her mum, who asks her, “[H]ow many nice, down-to-earth and unmarried Shropshire lads do you expect to meet?” After marrying again, Mollie begins to raise a family, encountering joy and heartbreak. As her life goes on, she finds simple pleasures in her collectibles, her grandchildren, and her seemingly supernatural connection to nature and spirits—including communion with fairies. This first-person tale is a loving and heartfelt tribute to Lee’s grandmother, drawing upon Mollie’s history and bringing her thoughts to life in an upbeat, chatty manner. Despite occasional unclear phrasing, the story flows well. Mollie is a spunky character, given to flights of fancy, while those in her orbit seem more like framed photos on a mantelpiece. The book’s final third, however, focuses primarily on Mollie’s physical and mental decline; the theme of cancer figures predominantly in this section, and it’s given voice in an inspiring manner.
A well-told story of one woman’s life, with appealing supernatural undercurrents.Pub Date: Aug. 24, 2013
ISBN: 978-3952420508
Page Count: 292
Publisher: Katherine Anne Lee
Review Posted Online: Oct. 7, 2013
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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