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UNTRANSLATABLE

An important, hopeful conversation about insidious and dangerous behaviors.

Awards & Accolades

Our Verdict

  • Our Verdict
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A debut author shares her journey from despair to optimism through a series of essays and poetry that explore her experience with mental illness.

In Walsh’s first essay, she tells of sitting alone at home after a stay in a Tennessee hospital’s psychiatric ward. “The last day I was alone,” she recalls, “I was sitting on the living room floor with a knife to my arm trying to etch out my exit strategy.” Over the course of the book, she refers to several other stays in hospitals and rehabilitation programs after self-destructive behavior, including suicide attempts, cutting, and an eating disorder. With one exception (“4.15.15”), the essays are undated and don’t appear in a clear chronological sequence, which readers may find confusing. They focus on specific moments, during which Walsh came to understand some aspect of her mental illness. In “The Victories,” for instance, she offers a glimpse of the exhausting, all-consuming nature of bulimia: “Every single day was dedicated to numbers (weights, scales, calories consumed and burned), writing those numbers down, adding and subtracting.” Other numbers included the hours she spent exercising and the quantity of diet pills that she consumed. Recovery from bulimia, she writes, is a process of learning how to appreciate one’s own value, step by step, day by day: “It is about finding a new purpose in life away from the eating disorder, it is about learning to love your new body.” In “The Miracle,” she writes poignantly of another progress point: “Tonight instead of picking up the razor to cut, I picked up lotion to put on my body. Instead of heading to the bathroom to purge, I lit a candle.” Overall, this is a journal of affirmation, and a passionate call to others who are battling similar mental illnesses, to whom she offers encouragement and understanding. Her eloquent prose is sometimes heartbreaking, but at other times, it’s joyous in tone. At the close of the book, for instance, she tells of how she’s looking forward to the future: “I deserve to be happy. I deserve all the things everyone else does. I am not too much work.”

An important, hopeful conversation about insidious and dangerous behaviors.

Pub Date: Feb. 8, 2019

ISBN: 978-1-949351-23-1

Page Count: 192

Publisher: Eliezer Tristan Publishing

Review Posted Online: Jan. 28, 2020

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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