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Skeletal

A haunting novel that’s both tough and delicate and fulfills the promise of the author’s first.

Awards & Accolades

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In Hayton’s (Found, Near Water, 2014, etc.) latest novel, a 14-year-old New Zealand girl, dead for 10 years, tells the story of how her body came to lie beneath a half-finished house.

Three years after a 2011 earthquake in Christchurch, rebuilding is still ongoing. Workers lift a home off its foundation to repair the cracked earth beneath, and Daina Harrow describes workers exposing her skeletal remains: “Broken along a prior instability. That’s where I am,” she says. In explaining what led up to her death, Daina tells what initially seems like a familiar story: a neglectful, single alcoholic mother; poverty; bullying students; clueless adults. Readers may think it easy to guess at how she winds up where she’s found—but author Hayton, as she did in her excellent first novel, complicates her story well beyond the predictable. (Christine Emmett, the main character of Found, Near Water, even makes a tangential appearance here.) Daina undergoes physical mistreatment, but she also begins having hallucinations: the colors of her face run, and she can taste sounds. Are her friends poisoning her? Is she going crazy? What really happened when she was 5 years old? And can she trust the Grey Man, who assigns her daunting tasks? With courage, intelligence, and resourcefulness, Daina tries to do what’s right. Her story fully comes together only on the final page, and Hayton does a masterful job of keeping the pieces in play before then. In some superficial respects, the novel resembles Alice Sebold’s 2002 bestseller, The Lovely Bones, which is also narrated by a dead 14-year-old girl, but Hayton’s sensibility is tougher-minded, more honest, and stranger. Daina’s bitterness, her longing to be seen and known, and her helplessness are strikingly, utterly real; in some ways, she’s already a ghost before she’s dead. As in her earlier novel, the author makes fruitful use of the Christchurch earthquake as a metaphor: disruption is violent but revealing. Her characterization is quick and effective but also thoughtful, avoiding stereotype; the school admissions secretary, for example, who at first seems a spiteful martinet, turns out to have surprising heart and grit.

A haunting novel that’s both tough and delicate and fulfills the promise of the author’s first.

Pub Date: Jan. 14, 2015

ISBN: 978-0473309268

Page Count: 266

Publisher: CreateSpace

Review Posted Online: March 13, 2015

Kirkus Reviews Issue: May 1, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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