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THE VICIOUS CIRCLE by Katherine St. John

THE VICIOUS CIRCLE

by Katherine St. John

Pub Date: Sept. 27th, 2022
ISBN: 978-0-06-322405-6
Publisher: Morrow/HarperCollins

Deep in the Mexican jungle, a New York model wrangles with a cult leader for the estate she's inherited from her uncle.

"A stately pleasure-dome" à la Kubla Khan was the inspiration of self-help author/vitamin magnate Paul Bentzen when he created a retreat center called Xanadu on the grounds of an isolated villa built by a drug lord, empty and languishing on the real estate market after a mass killing ended the kingpin's reign. Though she has warm childhood memories of her uncle Paul, Svetlana Bentzen and her widowed single mother became estranged from him for reasons she has never fully understood. Therefore it's quite a surprise when she learns that he's died and left her his entire estate—$180 million, as Chase, her dishwater-dull fiance, learns when he asks Alexa. Why wouldn't the man leave it all to Kali, the common-law wife with whom he ran The Mandala, a spiritual program which requires aspirants to abandon their lives and move to Xanadu? With her engagement to Chase on the rocks, Sveta travels down alone, though luckily she's joined at the last minute by Lucas Baranquilla, a handsome lawyer whose late father worked with her uncle (and whom she'd hooked up with as a teen). At Xanadu, the pair quickly learn that Uncle Paul's death was far from straightforward and that Kali has both some disturbingly potent herbal tea recipes and an alternate version of the will that was signed at the last minute. Sveta, who has her doubts about wealth and the wealthy, might not have put up much of a fuss, but when she finds out that forced dieting and body-shaming are part of the quest for enlightenment, it really rubs her the wrong way. For all the intriguing issues addressed in the book—jungle psychedelics, spiritual faddism, cultural appropriation, and more—it lacks the satiric edge of St. John's debut, The Lion's Den (2020), and the plot is marred by unnecessary complications with hasty resolutions.

Missing the je ne sais quoi that makes a silly thriller built on clichés and stereotypes fun.