It ought to be the best day of 14-year-old Cassie’s life—the day of her violin solo with the Chicago Youth Symphony Orchestra—but her always-angry dad is more jittery than usual. When her estranged grandfather appears, it’s the last straw for her dad. Not long after the concert, he explodes, hurling her cat across the room and shattering her violin. Cassie flees to Pretoria in search of her grandfather but instead finds herself alone and overwhelmed in a strange city. Kind strangers, churches and teen shelters help her survive, but she’s not cut out for the dangers and privations of homelessness. Returning home, Cassie joins her family on the long, hard slog toward repairing their lives. Cassie’s love for the violin provides much-needed flavor for what would otherwise be a simple problem novel about emotional abuse and helpless teens. Too quickly, therapy, truth telling and interfamily trust offer the magic pill to cure PTSD. Still, this poignant story of multigenerational abuse is a compelling read. (Fiction. 11-13)
Pub Date: Sept. 28, 2009
ISBN: 978-1-934813-08-9
Page Count: 262
Publisher: 4N
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 15, 2009
Paulsen recalls personal experiences that he incorporated into Hatchet (1987) and its three sequels, from savage attacks by moose and mosquitoes to watching helplessly as a heart-attack victim dies. As usual, his real adventures are every bit as vivid and hair-raising as those in his fiction, and he relates them with relish—discoursing on “The Fine Art of Wilderness Nutrition,” for instance: “Something that you would never consider eating, something completely repulsive and ugly and disgusting, something so gross it would make you vomit just looking at it, becomes absolutely delicious if you’re starving.” Specific examples follow, to prove that he knows whereof he writes. The author adds incidents from his Iditarod races, describes how he made, then learned to hunt with, bow and arrow, then closes with methods of cooking outdoors sans pots or pans. It’s a patchwork, but an entertaining one, and as likely to win him new fans as to answer questions from his old ones. (Autobiography. 10-13)
Pub Date: Feb. 1, 2001
ISBN: 0-385-32650-5
Page Count: 150
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)
An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”
The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.
Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)Pub Date: Sept. 13, 2011
ISBN: 978-0-374-37993-3
Page Count: 352
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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