While this tale brings some vibrant new ideas to the paranormal genre, they could be more deftly integrated.



In this debut YA novel, an Australian girl dreams she’s an 18th-century Scottish Highlander woman while preparing for an academic competition.

Lottie McGrath, 13, of Greater Nook Marsh, near Sydney, has been an accomplished faker of illness ever since age 7 when she used the tactic to avoid boarding school. Subsequently, she’s liked having a reason to demand attention from her preoccupied parents, but a recent doctor’s visit has Lottie worried; she now has an actual lump on her rib cage. Lottie is also distracted by extremely vivid daydreams in which she’s Aideen, a Scottish Highlands woman who’s a warrior at heart in the 18th century, and, lately, by an upcoming literary quiz competition called the Aussie Lit Joust that pits girls against boys. When Medha Nayar, the girls’ head teacher at Quoll Grammar, asks Lottie to participate in the Joust, she’s honored but deeply insecure. In dreams and fantasies, her Scottish counterpart salivates over Cairn, the chief of the MacUahmnhans; in real life, Lottie aches for attention and certainty. In Miss Nayar’s office, Lottie spots a watercolor of the Indian goddess of war, Durga. The teacher explains that the goddess creates other females to help her fight demons: “They are all different, but they are all her—Durga.” Lottie is chosen to lead the Joust, an experience that produces her inner warrior. Afterward, reality, dream, myth, and imagination violently merge in Lottie’s ordinary life, bringing her a revelation of her true self. While readers might be misled from the early pages into expecting another time-travel Highlands romance, Gill has other ideas in mind for her novel. It’s an ambitious brew that sometimes intrigues, as with Quoll Grammar’s library, once an insane asylum’s chapel. Its midnight-blue ceiling of ribbed vaulting looks like bookshelves under a moonlit sky, and the librarian is a wonderfully named Jamaican, Mr. Three. More, please. But it’s hard to buy the quiz as a fight for the ages, and the story’s other disparate elements—overwrought YA flourishes, broad domestic comedy, repetitive Highland scenes, and a maelstrom ending—don’t effectively coalesce.

While this tale brings some vibrant new ideas to the paranormal genre, they could be more deftly integrated.

Pub Date: Oct. 2, 2017

ISBN: 978-1-64111-032-7

Page Count: 282

Publisher: Palmetto Publishing Group

Review Posted Online: Nov. 26, 2017

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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