A commendable supernatural tale with a capable young protagonist and room for a sequel.

DEFIANT SOULS

A small group struggles to resist an evil being hell-bent on establishing world domination in this debut thriller.

Twelve-year-old Kyle Chase’s summer in southern Utah with his aunt, Cindy Miller, a real estate agent who dabbles in archaeology, promises excitement. Cindy is taking her nephew, an aspiring archaeologist, to see Native American ruins. Unfortunately, they’re seized by Damon, a devil, it seems, who’s already convinced four homeless men to be his followers. These minions begin abducting other individuals, all of whom are held captive in a secluded desert town Damon somehow keeps concealed. Most, however, can’t see Damon, so he chooses as his vessel Todd Smith, a man living in a military-compound clinic as part of a top-secret project. This project makes Todd’s body uniquely qualified to act as Damon’s host but also sends soldiers like Mitch Swenson on the hunt to bring the fugitive back. Meanwhile, Kyle’s looking for a way to escape along with Cindy and the people imprisoned in the town jail. Damon’s planning to set up his kingdom on Earth, but there’s a glimmer of hope: a “worthy adversary” he’ll soon face again, possibly the same stranger who’s working with Mitch in tracking down Damon/Todd. Although it’s apparent who Damon and the source of the “gentle voice” occasionally comforting Kyle are, Chadwick’s novel allows for some mystery. There’s ambiguity, for one, surrounding Cindy’s search for a wooden statue inexplicably tied to the death of her boss. The author likewise intersperses her suspenseful narrative (myriad characters in unmistakable danger) with shades of dark humor: Damon says to his flunkies, tasked with acquiring more people, “Let’s see if we can’t get all five here alive this time, shall we?” Kyle’s a strong hero, admirably resilient and altruistic, not even entertaining the notion of leaving others behind. But his plan’s somewhat confusing; despite ready access to the cells (he delivers food), Kyle opts for getting himself thrown in jail with everyone else.

A commendable supernatural tale with a capable young protagonist and room for a sequel.

Pub Date: Oct. 12, 2017

ISBN: N/A

Page Count: 330

Publisher: Black Rose Writing

Review Posted Online: Oct. 3, 2017

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Despite some distractions, there’s an irresistible charm to Owens’ first foray into nature-infused romantic fiction.

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WHERE THE CRAWDADS SING

A wild child’s isolated, dirt-poor upbringing in a Southern coastal wilderness fails to shield her from heartbreak or an accusation of murder.

“The Marsh Girl,” “swamp trash”—Catherine “Kya” Clark is a figure of mystery and prejudice in the remote North Carolina coastal community of Barkley Cove in the 1950s and '60s. Abandoned by a mother no longer able to endure her drunken husband’s beatings and then by her four siblings, Kya grows up in the careless, sometimes-savage company of her father, who eventually disappears, too. Alone, virtually or actually, from age 6, Kya learns both to be self-sufficient and to find solace and company in her fertile natural surroundings. Owens (Secrets of the Savanna, 2006, etc.), the accomplished co-author of several nonfiction books on wildlife, is at her best reflecting Kya’s fascination with the birds, insects, dappled light, and shifting tides of the marshes. The girl’s collections of shells and feathers, her communion with the gulls, her exploration of the wetlands are evoked in lyrical phrasing which only occasionally tips into excess. But as the child turns teenager and is befriended by local boy Tate Walker, who teaches her to read, the novel settles into a less magical, more predictable pattern. Interspersed with Kya’s coming-of-age is the 1969 murder investigation arising from the discovery of a man’s body in the marsh. The victim is Chase Andrews, “star quarterback and town hot shot,” who was once Kya’s lover. In the eyes of a pair of semicomic local police officers, Kya will eventually become the chief suspect and must stand trial. By now the novel’s weaknesses have become apparent: the monochromatic characterization (good boy Tate, bad boy Chase) and implausibilities (Kya evolves into a polymath—a published writer, artist, and poet), yet the closing twist is perhaps its most memorable oddity.

Despite some distractions, there’s an irresistible charm to Owens’ first foray into nature-infused romantic fiction.

Pub Date: Aug. 14, 2018

ISBN: 978-0-7352-1909-0

Page Count: 384

Publisher: Putnam

Review Posted Online: May 15, 2018

Kirkus Reviews Issue: June 1, 2018

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