Observant, sensitive, lyrical, wise.
Perceptive collection by a Scottish poet and essayist whose work is just beginning to drift across the Atlantic.
Jamie observes closely, reflects, considers, wonders. She ruminates on darkness: Why do we consider it “bad” and unnatural? She spends a season with some peregrine falcons, listening to the female scream at the male until they mate, then scream for more. Jamie observes salmon struggling up the River Braan and tries to sneak a peak at the reclusive corncrake, a bird now living only in the Hebrides. She spends hours with jars of surgical specimens some 200 years old; she takes a whale-watching cruise and is dazzled. She powerfully mingles the personal and the natural, helping us realize that they are, of course, the same. “Fever,” which relates her husband’s near-fatal attack of pneumonia, includes a lovely passage describing a doctor listening through a stethoscope to his damaged lungs. In “Sabbath,” perhaps the strongest piece in this strong assembly, Jamie recognizes the value of a day of reflection and wonders if it would be possible or desirable to disassociate such days from religion. She recalls that on 9/11 she was scheduled to do a reading in the Lake District village of Grasmere, Wordsworth’s home for 51 years. She decided not to cancel, and many folks came, looking that day for the solace that only words can offer. Although the author is preternaturally alert to the flora and fauna around her, she considers herself a novice and routinely consults books and authorities of all sorts. But she’s not afraid to offer her opinions: In “Skylines,” she takes her telescope and climbs Edinburgh’s Carlton Hill, from which she sees—and interprets for us—the symbols that she discerns on the city roofs.
Observant, sensitive, lyrical, wise.Pub Date: April 1, 2007
ISBN: 1-55597-445-7
Page Count: 192
Publisher: Graywolf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2007
BOOK REVIEW
BOOK REVIEW
Unsentimental nature writing that sheds as much light on humans as on eels.
An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.
In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.
Unsentimental nature writing that sheds as much light on humans as on eels.Pub Date: May 5, 2020
ISBN: 978-0-06-296881-4
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.
A new life and book arise from the ashes of a devastating California wildfire.
These days, it seems the fires will never end. They wreaked destruction over central California in the latter months of 2018, dominating headlines for weeks, barely a year after Fies (Whatever Happened to the World of Tomorrow?, 2009) lost nearly everything to the fires that raged through Northern California. The result is a vividly journalistic graphic narrative of resilience in the face of tragedy, an account of recent history that seems timely as ever. “A two-story house full of our lives was a two-foot heap of dead smoking ash,” writes the author about his first return to survey the damage. The matter-of-fact tone of the reportage makes some of the flights of creative imagination seem more extraordinary—particularly a nihilistic, two-page centerpiece of a psychological solar system in which “the fire is our black hole,” and “some veer too near and are drawn into despair, depression, divorce, even suicide,” while “others are gravitationally flung entirely out of our solar system to other cities or states, and never seen again.” Yet the stories that dominate the narrative are those of the survivors, who were part of the community and would be part of whatever community would be built to take its place across the charred landscape. Interspersed with the author’s own account are those from others, many retirees, some suffering from physical or mental afflictions. Each is rendered in a couple pages of text except one from a fellow cartoonist, who draws his own. The project began with an online comic when Fies did the only thing he could as his life was reduced to ash and rubble. More than 3 million readers saw it; this expanded version will hopefully extend its reach.
Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.Pub Date: March 5, 2019
ISBN: 978-1-4197-3585-1
Page Count: 160
Publisher: Abrams ComicArts
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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