by Kathryn Harrison ‧ RELEASE DATE: Nov. 1, 2003
Lucid, readable prose but, as travelogue, neither transporting nor insightful. (map)
A pilgrimage along an ancient road, from St.-Jean-Pied-de-Port in France to Santiago de Compostela in Spain, the site of a shrine to the Apostle James.
Having trekked 283 kilometers of the route three years earlier, novelist Harrison (The Seal Wife, 2002, etc.) returns for a second trip with her 12-year-old daughter. On both journeys, she endures the burden of a heavy pack and temperamental weather, blisters, thirst, and fatigue, finding little relief in spartan meals and accommodations along the way. This account of discomfort, though, is rather matter-of-fact, and the author does little to offset any of it with those transcendent moments that make travel—and travel-writing—engaging and worthwhile. Harrison's capable writing is flattened by her emotional evenness; her meditative detachment, perhaps a spiritual achievement appropriate to the milieu, results in a muted account that lacks passion. Harrison's occasional reflections on mortality, fear, and family outshine her encounters with locals and descriptions of place, but she doesn't contemplate anything too deeply or for too long. When, after days of eating, sleeping, and walking alongside her daughter, it occurs to Harrison that she's almost intimidated by her child: “her beauty and her silences, her ability to wound me.” But she doesn't pursue the revelation or use it to lessen the distance between them or to better understand its nature. Also missing is any substantive discussion of Harrison's faith. Her Catholicism is hardly traditional: raised by Jewish grandparents and schooled by Christian Scientists, she converted to Catholicism at 12, married a Quaker, and never baptized her children. On this trek through holy ground, she neglects to discuss her enduring faith, its role in her life, or how (and if at all) she intends to pass it on to her children.
Lucid, readable prose but, as travelogue, neither transporting nor insightful. (map)Pub Date: Nov. 1, 2003
ISBN: 0-7922-3745-5
Page Count: 168
Publisher: National Geographic
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 15, 2003
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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