by Kathryn Lasky ‧ RELEASE DATE: March 1, 2005
This companion to Night Journey (1981) explores the plight of 15-year-old Reuven Bloom, a brilliant young Russian Jewish violinist whose music is “broken” by the horrors of late-19th-century pogroms. When his shtetl is attacked by marauding Cossacks and his family—save for his toddler sister—are slaughtered, Reuven desperately flees, shouldering little Rachel in a basket, until they reach family in Poland. A bitter Reuven joins an elite revolutionary group and becomes a demolitions expert. He makes the wrenching decision to let Rachel leave for America with relatives and stays behind to continue to exact vengeance. When the moment for revenge against his own family’s murderer and thief of his expensive violin comes, though, Reuven has tired of killing and he merely wrests his beloved instrument back. By story’s end, it is the early-20th century and Reuven arrives in New York and reunites with his family. The author offers readers, in a Dear America–style epilogue, follow-up information about Reuven’s life. Lasky’s writing is straightforward and unsentimental, sometimes a little pat, and her hero is a relatable and admirable protagonist. (historical note) (Fiction. 11-14)
Pub Date: March 1, 2005
ISBN: 0-670-05931-5
Page Count: 160
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2005
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by Sarah Arthur ‧ RELEASE DATE: Jan. 30, 2024
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.
A portal fantasy survivor story from an established devotional writer.
Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)Pub Date: Jan. 30, 2024
ISBN: 9780593194454
Page Count: 384
Publisher: WaterBrook
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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by Laurence Yep ‧ RELEASE DATE: Oct. 30, 1993
Explanatory note; reading list.
Yep illuminates the Chinese immigrant experience here and abroad in a follow-up to The Serpent's Children (1984) and Mountain Light (1985).
After accidentally killing one of the hated Manchu soldiers, Otter (14) flees Kwangtung for the "Golden Mountain"; he finds his adoptive father Squeaky and Uncle Foxfire in the Sierra Nevada, where thousands of "Guests" are laboriously carving a path for the railroad. Brutal cold, dangerous work, and a harsh overseer take their toll as Squeaky is blinded in a tunnel accident, Foxfire is lost in a storm, and other workers are frozen or half-starved. By the end, toughened in body and spirit, Otter resolves never to forget them or their sacrifices. Foxfire and Otter consider themselves only temporary residents here, preparing for the more important work of modernizing their own country while ridding it of Manchu, Europeans, and, especially, the scourge of opium. America is a dreamlike place; English dialogue is printed in italics as a tongue foreign to most of the characters; and though Otter befriends the overseer's troubled son, such social contact is discouraged on both sides. In a story enlivened with humor and heroism, Yep pays tribute to the immigrants who played such a vital role in our country's history.
Explanatory note; reading list. (Fiction. 11-14)Pub Date: Oct. 30, 1993
ISBN: 0-06-022971-3
Page Count: 276
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1993
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