Sinks beneath the weight of its good intentions.

READ REVIEW

PROUD AND ANGRY DUST

An allusive if uncompelling first novel records a young African-American’s passage to manhood in a small Texas town.

Protagonist and narrator Moose O’Malley is an admirable sort, a serious young man who wants to be a scientist, but like many authors who set their novels in a historical era (here, it’s the 1920s), Mitchell feels obliged to authenticate her hero’s personal drama with topical references to real events and real people. The result is information overload, both slowing and distracting. Moose, whose full name is Theodore Roosevelt Bullmoose O’Malley (his mother was a great admirer of the former president), begins his story, told as a succession of vignettes, with recollections of pranks played in grade school by Barnett, his very young step-uncle and classmate. We learn that Moose’s cowboy father died when he was eight, and that the boy now lives with his mother, Barnett, and Uncle Will, his step-grandfather, on the south side of Knox Plains, the only land the white folks permit blacks to own. In a leisurely fashion, Moose introduces locals, among them the unmarried Nesbet sisters; the uppity Gibley family; and Mrs. Pendergast, who runs the local hotel. Knox Plains is poor, and life is hard—until oil is discovered there, much to the whites’ chagrin. Moose helps out at the family store and records all the changes in the community that follow. Young women from New Orleans seduce the gullible newly rich young men, one of whom is murdered. Someone shoots the recently married Seck Nesbet, and his much younger wife decamps with family money, leaving his sisters destitute. On a visit to Kansas, Moose falls for beautiful Betsy Singer, the sister of a lawyer, but thinks she’s unattainable, especially after the Crash of 1929 swallows up the money his mother set aside for college. But love and financial help are at hand, as an old friend doesn’t forget past kindnesses.

Sinks beneath the weight of its good intentions.

Pub Date: June 1, 2001

ISBN: 0-87081-608-X

Page Count: 236

Publisher: Univ. Press of Colorado

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 2001

Did you like this book?

No Comments Yet

A strange, subtle, and haunting novel.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

THE GLASS HOTEL

A financier's Ponzi scheme unravels to disastrous effect, revealing the unexpected connections among a cast of disparate characters.

How did Vincent Smith fall overboard from a container ship near the coast of Mauritania, fathoms away from her former life as Jonathan Alkaitis' pretend trophy wife? In this long-anticipated follow-up to Station Eleven (2014), Mandel uses Vincent's disappearance to pick through the wreckage of Alkaitis' fraudulent investment scheme, which ripples through hundreds of lives. There's Paul, Vincent's half brother, a composer and addict in recovery; Olivia, an octogenarian painter who invested her retirement savings in Alkaitis' funds; Leon, a former consultant for a shipping company; and a chorus of office workers who enabled Alkaitis and are terrified of facing the consequences. Slowly, Mandel reveals how her characters struggle to align their stations in life with their visions for what they could be. For Vincent, the promise of transformation comes when she's offered a stint with Alkaitis in "the kingdom of money." Here, the rules of reality are different and time expands, allowing her to pursue video art others find pointless. For Alkaitis, reality itself is too much to bear. In his jail cell, he is confronted by the ghosts of his victims and escapes into "the counterlife," a soothing alternate reality in which he avoided punishment. It's in these dreamy sections that Mandel's ideas about guilt and responsibility, wealth and comfort, the real and the imagined, begin to cohere. At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical. How far will Alkaitis go to deny responsibility for his actions? And how quickly will his wealth corrupt the ambitions of those in proximity to it? In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure.

A strange, subtle, and haunting novel.

Pub Date: March 24, 2020

ISBN: 978-0-525-52114-3

Page Count: 320

Publisher: Knopf

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

Did you like this book?

No Comments Yet

Fierce, poetic, uncompromising.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

THE CITY WE BECAME

This extremely urban fantasy, a love/hate song to and rallying cry for the author’s home of New York, expands her story “The City, Born Great” (from How Long ’Til Black Future Month, 2018).

When a great city reaches the point when it's ready to come to life, it chooses a human avatar, who guides the city through its birthing and contends with an extradimensional Enemy who seeks to strike at this vulnerable moment. Now, it is New York City’s time to be born, but its avatar is too weakened by the battle to complete the process. So each of the individual boroughs instantiates its own avatar to continue the fight. Manhattan is a multiracial grad student new to the city with a secret violent past that he can no longer quite remember; Brooklyn is an African American rap star–turned–lawyer and city councilwoman; Queens is an Indian math whiz here on a visa; the Bronx is a tough Lenape woman who runs a nonprofit art center; and Staten Island is a frightened and insular Irish American woman who wants nothing to do with the other four. Can these boroughs successfully awaken and heal their primary avatar and repel the invading white tentacles of the Enemy? The novel is a bold calling out of the racial tensions dividing not only New York City, but the U.S. as a whole; it underscores that people of color are an integral part of the city’s tapestry even if some white people prefer to treat them as interlopers. It's no accident that the only white avatar is the racist woman representing Staten Island, nor that the Enemy appears as a Woman in White who employs the forces of racism and gentrification in her invasion; her true self is openly inspired by the tropes of the xenophobic author H.P. Lovecraft. Although the story is a fantasy, many aspects of the plot draw on contemporary incidents. In the real world, white people don’t need a nudge from an eldritch abomination to call down a violent police reaction on people of color innocently conducting their daily lives, and just as in the book, third parties are fraudulently transferring property deeds from African American homeowners in Brooklyn, and gentrification forces out the people who made the neighborhood attractive in the first place. In the face of these behaviors, whataboutism, #BothSides, and #NotAllWhitePeople are feeble arguments.

Fierce, poetic, uncompromising.

Pub Date: March 24, 2020

ISBN: 978-0-316-50984-8

Page Count: 448

Publisher: Orbit

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

Did you like this book?

No Comments Yet
more