by Kathryn Schwille ‧ RELEASE DATE: Sept. 18, 2018
"From a wound, beauty rises” in this modern-day Winesburg, Ohio.
A small town’s residents cope with their lives and an American tragedy.
A scream comes across the sky, and there’s nothing to compare to it in Schwille’s quietly contemplative and affecting first novel. On Feb. 1, 2003, the Space Shuttle Columbia exploded while re-entering the Earth's atmosphere, and debris fell into the water. Schwille imagines that debris fell onto Kiser, a “dinky, third-fiddle” east Texas town near Louisiana. She introduces us to a wide array of locals and their simple lives, now interrupted by search and rescue operations. Schwille’s narrative is told from widely different points of view and employs subtle time shifts going back and forth across years. “Time,” to quote from her Italo Calvino epigraph, “is a catastrophe, perpetual and irreversible.” Kiser suffers from drought, unemployment, multiple divorces, damaged soldiers returning from war, meth labs, anti-gay sentiments, domestic violence, and racism. Wes MacFarland tells us Kiser “wasn’t one of those storybook places.” He’s a struggling, tormented, gay tree-service foreman married to a woman named Holly. Their young, troubled son, Frankie, “heard the shuttle come apart” and came across an “orange space suit wedged in the crook of a tall tree...an astronaut’s torso inside it.” Wes will abandon Kiser, moving to Houston to be with his partner, Ben. Holly will divorce him and marry Pastor Will Simpson, who felt she “had brushed against the devil’s ways.” “Diabetic, Gandhi-thin” Plato Winchester, a “modern-day Davy Crockett,” found “bits of metal, pieces of foam, something he said looked like glass.” A “shoe-less foot, missing one big toe” is found beside Junior Pierce’s mailbox. Gabe Dixon, a poor African-American man, finds a female hand with a ring on it. “The people of Kiser had spread their arms around [this] disaster and accepted the great burden of its grief.”
"From a wound, beauty rises” in this modern-day Winesburg, Ohio.Pub Date: Sept. 18, 2018
ISBN: 978-1-938235-42-9
Page Count: 216
Publisher: Hub City Press
Review Posted Online: July 1, 2018
Kirkus Reviews Issue: July 15, 2018
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by Mark Z. Danielewski ‧ RELEASE DATE: March 6, 2000
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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by Christina Lauren ‧ RELEASE DATE: April 10, 2018
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.
Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.
Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.Pub Date: April 10, 2018
ISBN: 978-1-5011-2801-1
Page Count: 416
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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