A lively chronicle of an eventful life told with style and rigor.
A biography of Gertrude Sanford Legendre, a wealthy socialite–turned–World War II spy.
Legendre was born in 1902 to an “ultra-wealthy family” in Aiken, South Carolina, and enjoyed an enviably privileged youth. However, she always yearned for adventure—a desire that biographer Smith (co-author: Eleanor Roosevelt Goes to Prison, 2019, etc.) stirringly depicts in these pages. In particular, Legendre developed a youthful “obsession with big game hunting,” according to Smith, shortly after graduating high school, and she traveled to Nairobi, Kenya, on a hunting expedition, during which she killed five lions. She later traveled to Ethiopia with the aim of bringing back an African antelope, the mountain nyala, for New York’s American Museum of Natural History—a mission she accomplished. During the halcyon days of the 1920s, she indulged in some “serious partying,” as the author puts it, on the French Riviera, but her life would take a dramatic turn during World War II. She was recruited to work for the American Office of the Coordinator of Information, the organizational precursor to the Office of Strategic Services, which eventually became the Central Intelligence Agency. She worked long hours at a cable desk in Washington, D.C., before being transferred to London, and she “reveled in being in the thick of war activity,” writes Smith. While on leave in Paris, she longed to get closer to the action and irresponsibly took a “joy ride” in enemy territory and was captured by German soldiers in Luxembourg. The dramatic crescendo of Smith’s action-packed portrait is Legendre’s daring escape from her captors across the Swiss border, and it’s a sequence of events worthy of a feature film. It’s clear that the author is enchanted by her subject, but she manages to avoid hagiography; for example, she includes evidence that Legendre didn’t get along well with her children. Still, for all her shortcomings, the book makes clear that she was a redoubtable force. As Smith puts it, Legendre truly “bucked many of the constraints of proper society that strait-jacketed so many of her female peers.”
A lively chronicle of an eventful life told with style and rigor.Pub Date: Aug. 1, 2019
ISBN: 978-1-929647-44-6
Page Count: -
Publisher: Evening Post Books
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: March 1, 2020
Review Program: Kirkus Indie
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From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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