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FLOWER GIRL

Name: FLOWER GIRL
Author: Kathy Furgang
ISBN: 0-670-88950-4

by Kathy Furgang & illustrated by Harley Jessup ‧ RELEASE DATE: March 1, 2003

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A little girl has very mixed feelings about this whole wedding idea, but has a lot of fun getting to the point of the flower girl thing. Anna’s Aunt Julie is getting married, and wants Anna to be the flower girl. Anna knows weddings are really dull for kids, but when she, her mom, and Aunt Julie go to grandma’s house, Anna is entranced by what they find in the attic: grandma’s wedding veil and Mama’s wedding dress. Aunt Julie tries everything on, and Anna tries on the veil and long gloves—gloves that Mama says “are filled with memories.” Anna thinks that maybe being a flower girl won’t be so bad and maybe she’ll wear Grandma’s veil, too, “If I get married.” Jessup makes cheery, cozy pictures: Grandma’s house, with its front porch, friendly interior, and peaked attic is just right for Anna’s warmhearted story. Grandma herself is not very old, as is natural in this setting: she and her daughters and granddaughter share shades of the same russet/strawberry blonde hair. Jessup (Just Enough, 2000, etc.) uses calligraphic outline to sketch the folds of the wedding dress, the beams of the attic ceiling, and the profusion of flowers in the yard, filled in with the colors of a sunny summer day. Like Gary Soto’s Snapshots from the Wedding (1997), Furgang, in her first picture book, offers a child’s-eye view of a special event with love and spirit. (Picture book. 3-8)

Pub Date: March 1, 2003

ISBN: 0-670-88950-4

Page Count: 40

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2002

Categories:

CHILDREN'S FAMILY

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CARPENTER'S HELPER

by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

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A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

Categories:

CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY

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BECAUSE YOUR DADDY LOVES YOU

by Andrew Clements & illustrated by R.W. Alley ‧ RELEASE DATE: May 23, 2005

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Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)