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MONKEY BUSINESS

THE DISTURBING CASE THAT LAUNCHED THE ANIMAL RIGHTS MOVEMENT

Where does an 800-pound gorilla sit? As the joke goes, anywhere he wants—which, judging by animal-rights activist Guillermo's morally inflamed report, won't include labs like Maryland's Institute for Behavorial Research (IBR), the primate research center whose abuse of its monkeys kicked off the animal- rights movement in the US. In 1991, Guillermo relates, 22-year-old Alex Pacheco— cofounder of People for the Ethical Treatment of Animals (PETA)- -took a job at IBR as part of his undercover investigation into animal-research facilities. What he found at the lab—which was researching sensation and motor function in 17 intentionally maimed macaque monkeys—appalled him: ``The stench was unbelievable,'' writes Guillermo. ``Oozing untreated wounds covered the limbs and torsos...Filth encrusted the wire walls and floors of the cages....'' Pacheco proceeded to gather photographic and paper evidence that he finally presented to the state attorney's office and local county cops, who raided IBR and removed the monkeys. Days later, animal-cruelty charges—the first ever brought against an animal experimenter—were lodged against IBR's director, who eventually was found guilty on one count. That verdict, however, and indeed PETA's struggle with IBR, were subsumed in a larger battle as the National Institutes of Health, which funded IBR and viewed PETA as a threat to free scientific inquiry, threw its considerable weight against the animal-rights group. Guillermo, PETA's ``lifestyles director,'' makes no bones about her sympathies (``NIH was willing to sell out the animals in order to remain at the top of the animal experimentation heap''), but she does an orderly if plodding job of chronicling the PETA-NIH battle, which came to involve national media, Congressmen, and celebrities, and which goes on today. A one-sided, rather stiff telling of a tale that—as a paradigm of grass-roots activism—has needed to be told: Now, if only a Roger Caras or a Cleveland Amory would tell it again, with style. (Photographs—not seen)

Pub Date: Nov. 1, 1993

ISBN: 1-882605-04-7

Page Count: 288

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1993

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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