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ALL I EVER WANTED

A ROCK 'N' ROLL MEMOIR

A vibrantly self-aware rock memoir buzzing with music, drugs, sisterhood, and blissful redemption.

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The former bassist for the Go-Go’s chronicles her life before and after stardom.

In this surprisingly revealing memoir, Valentine recalls her childhood in Austin, Texas, raised by a single English expat mother who treated her like one of her druggy pals. She was an early experimenter with drugs and sex, and at age 12, she had to travel to California to have an abortion. A televised 1973 performance by Suzi Quatro inspired Valentine to dream of creating “a kickass band with a gang of like-minded girls and claim the life I wanted for myself.” In 1980, after gigs with several smaller bands and a few years playing guitar, Valentine met Charlotte Caffey, who founded the Go-Go’s in 1978, and she soon became the band’s replacement bassist. Fueled by a heady combination of cocaine and steely determination, Valentine jumped right in to play a series of sold-out early shows. The author draws from impeccably archived personal journals, band itineraries, and Filofax calendars to recall her time with the band from its inception to peak popularity. Her whirlwind path to fame was also littered with dysfunction, especially her drinking and rampant drug use, which coincided with skyrocketing record sales. A crushing band breakup in 1985—fueled by a “deep disconnect between the way we saw ourselves and the way we were presented to the public”—was as brutally humbling as her time in recovery. Valentine doesn’t skimp on the details of both the raucous partying and the many mistakes and failings that chastened her as a woman and a musician. Her candid narration is confident and consistently infused with personality, and a generous section of photographs illustrates her chronology. Despite the Go-Go’s’ rough edges and ups and downs, Valentine, now 61, acknowledges their unique all-female presence in rock history, and she concludes with updates on reunion tours and hope for the future. One of Kirkus and Rolling Stone’s Best Music Books of 2020.

A vibrantly self-aware rock memoir buzzing with music, drugs, sisterhood, and blissful redemption.

Pub Date: March 31, 2020

ISBN: 978-1-4773-1233-9

Page Count: 304

Publisher: Univ. of Texas

Review Posted Online: Oct. 6, 2020

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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