Plot and pacing could be tighter, but packed with vivid cultural scenery, this ambitious debut offers readers a journey...
Tess da Costa was believed to work miracles but lost street cred after failing to find Ana, a child abductee; when, months after Tess dies, Ana’s found alive, Tess appears slated for sainthood—unless her sister, Callie, can stop it.
Callie, white and wrapped in grief and anger, has no compassion to spare for Tess’ followers, desperately coping with troubles of their own, or for Tess’ Puerto Rican boyfriend, Danny, whom she recruits in her crusade. Callie’s failing in school and at war with her hospital-receptionist single mom. Her feelings for Tess (and the church) are complicated. If Tess, 17, was the angel, Callie, 16, felt like her demonic twin. Tess’ journal, excerpted throughout, reveals that being cast as saintly was no picnic, either. Not all plot elements mesh neatly. Callie and Danny’s hunt for Ana’s abductor, a plot thread explored partly from Ana’s point of view, has gravitas; however resolved, a child abduction leaves lasting scars. While Callie’s family history takes up a fair chunk of plot real estate, she’s the story’s beating heart—scrappy, resentful, funny, and, above all, observant of her hardscrabble, working-class southeastern Massachusetts town and its denizens. Of Portuguese, Latino, and Irish descent (but not Cape Verdean), with strong cultural and religious (Roman Catholic) immigrant ties, they’ve struggled economically since the mills closed.
Plot and pacing could be tighter, but packed with vivid cultural scenery, this ambitious debut offers readers a journey worth taking. (Fiction. 12-16)Pub Date: March 14, 2017
ISBN: 978-0-399-54525-2
Page Count: 368
Publisher: Putnam
Review Posted Online: Dec. 20, 2016
Kirkus Reviews Issue: Jan. 15, 2017
An atmospheric and entertaining thriller perfect for snowy night chills.
A group of teens stranded in a snowstorm discovers a murderer in their midst.
While traveling on the highway to a state theater competition, Nell and her friends Min, Raven, Adam, and Jermaine are caught in a dangerous blizzard. Their teacher, Mrs. McElroy, who is driving the minivan, decides to stop for the night at the run-down and shady-looking Travel Inn and Out. The motel is labyrinthine and spooky, with dingy corridors and walls adorned with moldering kitsch. Nell and the gang meet another group of kids who are also stranded by the storm, making fast friends. A game of Two Truths and a Lie starts out flirty and fun but devolves into something more sinister when one slip of paper reads “I like to watch people die,” and “I’ve lost count of how many people I’ve killed.” The snow falls and the winds howl, and soon power and cell service are lost, cutting off the motel patrons from the outside world. As the first victim is discovered and the body count begins to grow, the terror becomes palpable. Everyone at the motel seems to have an insidious secret: Will Nell be able to uncover the killer before they strike again? An homage to Agatha Christie, Henry’s locked-room mystery is tautly plotted, with quick-moving nail-biting chapters, relatable characters, and a deftly wrought setting that paradoxically manages to feel both claustrophobic and sprawling. Nell is White; there is diversity among the secondary characters.
An atmospheric and entertaining thriller perfect for snowy night chills. (Mystery. 12-16)Pub Date: May 24, 2022
ISBN: 978-0-316-32333-8
Page Count: 288
Publisher: Christy Ottaviano Books
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.
A portal fantasy survivor story from an established devotional writer.
Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)Pub Date: Jan. 30, 2024
ISBN: 9780593194454
Page Count: 384
Publisher: WaterBrook
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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