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An Artist's Journey through Wonderland

Cute inspiration for beginners.

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Fowler’s self-help debut takes readers down the rabbit hole in search of creative courage.

Fowler, a certified creativity coach, says, “Imagination is one of my favorite destinations.” Using Lewis Carroll’s Alice’s Adventures in Wonderland as an allegory for the creative process, she hopes to inspire others to begin creative endeavors by throwing off the shackles of fear and procrastination. In this slim edition, she defines creative types as “Creativites.” In order to overcome artistic fears, Creativites should name the monsters that terrorize them into inaction: Dobie Doubter, Bully B*tch, Fluke Flinger, Poser Dozer, and Evil Dictator—the “creativity crushers” or mental roadblocks to artistic success. Dobie Doubter, for example, whispers cautionary tales into the Creativite’s ear, causing doubt that success is possible. Adult readers can finish this brisk, imaginative pep talk in an hour or two; however, the text may be more appealing to younger readers, as the narrative’s soft, childlike voice is easily accessible: “Fear tells us we can’t lose if we don’t play; we can’t fail if we don’t try. Now isn’t that just silly?” The book’s eye-catching layout features colorful page borders and pen-and-ink drawings reminiscent of Wonderland and its characters. For example, the beginning of a chapter about “grinning at fear” showcases the Cheshire Cat’s wide, toothy grin. The Wonderland analogy carries through to the end—no need to be afraid, because the Queen of Hearts won’t really hurt anyone—and the tone is both enthusiastic and humorous. Fowler’s rudimentary advice is basically what creative types already know; e.g., don’t compare yourself (or your work) to others, and yes, mistakes do happen. Describing the time she spilled paint on her artwork and turned the mess into a beautiful correction, she urges readers to “embrace the blob.” Fowler’s simplistic analogy would be more memorable if she had included some hands-on creative exercises. Nevertheless, readers looking for a short burst of creative inspiration may be prompted by this whimsical pat on the back.

Cute inspiration for beginners.

Pub Date: June 11, 2015

ISBN: N/A

Page Count: -

Publisher: CreateSpace

Review Posted Online: Aug. 12, 2015

Kirkus Reviews Issue: Sept. 15, 2015

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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