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DEAR EMMA

Somewhat superficial, funny, and short.

A college junior with an advice column discovers that following her own counsel is easier said than done.

Harriet lives a fairly standard college life: hanging out with her two closest friends, going to classes, drinking, and enduring hangovers—all while secretly dispensing wisdom to peers in her advice column, "Dear Emma." Each week, students write in with dating and friendship problems, and Harriet replies with clearheaded and thoughtful solutions. After all, Harriet’s been an observer for so long that she’s developed a knack for identifying the hidden fault lines in others’ lives. But when she meets the enigmatic Keith in her Spanish Civil War class, everything changes; she’s finally at the center of her own drama, and the weeks that follow are a flurry of excitement, study dates, and road trips. As their texts fizzle out, though, Harriet’s plunged into despair. As she continues to harp on Keith, everything seems to be going wrong around her: she’s fighting with her roommate; going to the civil war class is torture; she spots a pretty girl writing on Keith’s Facebook wall. Things get interesting when that girl, a senior named Remy, begins working the same library shift as Harriet, whom she begrudgingly begins to befriend; and when Remy writes Emma asking whether she should break things off with Keith, Harriet is forced to re-evaluate the way she views guys, friendship, and the integrity of her column. Heaney’s (Never Have I Ever, 2014) debut novel is a relatable depiction of modern college romance, and Harriet, despite her annoying obsession with Keith, has an endearingly humorous voice (“I have been waiting my whole life to quiz a hot guy in the library and now that it’s here I’m like, not ready”). However, the novel’s scope is so limited that it may not hold readers’ attention. College can indeed be a bubble, but Harriet’s sole focus on guys and day-to-day dramas precludes more complicated or long-term plotlines—which could have transformed Harriet from a merely humorous character into a well-rounded, satisfying one.

Somewhat superficial, funny, and short.

Pub Date: March 1, 2016

ISBN: 978-1-455-53460-9

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: Dec. 6, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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