Loosely based on an actual success story, this tale of a Ghanaian lad who parlays one hen into a major poultry farm highlights the way microloans are helping to break the cycle of poverty in many third-world communities. Young Kojo and his mother are barely getting by gathering firewood to sell in the local market, but with a few leftover coins from a group loan, he is able to buy a chicken, sell the eggs and with the extra money slowly build up a flock. Milway follows Kojo through years of hard work as he completes his education, grows up and at last becomes a grandfather, with a big family and a business that has become an economic cornerstone of his entire town. Effectively lightening the author’s long, message-driven tale, Fernandes adds plenty of chickens and lots of fanciful details to her sunny illustrations. Kojo suffers no reverses in his climb to prosperity, but as an introduction for children to how microloans are supposed to work, this makes an eye-opening case study. The author introduces the real Kojo at the end as well as some of the international organizations that make these life-changing bootstrap loans. (Picture book. 8-10)
Pub Date: March 1, 2008
ISBN: 978-1-55453-028-1
Page Count: 32
Publisher: Kids Can
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2008
Miranda’s book counts the monsters gathering at a birthday party, while a simple rhyming text keeps the tally and surveys the action: “Seven starved monsters are licking the dishes./Eight blow out candles and make birthday wishes.” The counting proceeds to ten, then by tens to fifty, then gradually returns to one, which makes the monster’s mother, a purple pin-headed octopus, very happy. The book is surprisingly effective due to Powell’s artwork; the color has texture and density, as if it were poured onto the page, but the real attention-getter is the singularity of every monster attendee. They are highly individual and, therefore, eminently countable. As the numbers start crawling upward, it is both fun and a challenge to try to recognize monsters who have appeared in previous pages, or to attempt to stay focused when counting the swirling or bunched creatures. The story has glints of humor, and in combination with the illustrations is a grand addition to the counting shelf. (Picture book. 3-8)
Pub Date: Aug. 1, 1999
ISBN: 0-15-201835-2
Page Count: 32
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
An unhappy young immigrant seeks, and at last regains, a sense of self in this atmospheric, expressionistically illustrated episode. Instead of writing her own name on her papers at school, Yoon calls herself “Cat,” then “Bird”—“I wanted to be BIRD. I wanted to fly, fly back to Korea”—and even, after a classmate’s friendly culinary overture, “Cupcake.” Ultimately, she finds her balance again: “I write my name in English now. It still means Shining Wisdom.” Swiatkowska internalizes Yoon’s adjustment, both by depicting her escape fantasies literally, and by placing figures against expanses of wall that are either empty of decoration, or contain windows opening onto distant, elaborate landscapes. Reminiscent of Allen Say’s work for its tone, theme, and neatly drafted, often metaphorical art, this strongly communicates Yoon’s feelings in words and pictures both. She is also surrounded by supportive adults, and her cultural heritage, though specified, is given such a low profile that she becomes a sort of everychild, with whom many young readers faced with a similar sense of displacement will identify. (Picture book. 8-10)
Pub Date: April 3, 2003
ISBN: 0-374-35114-7
Page Count: 32
Publisher: Frances Foster/Farrar, Straus & Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2003
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