An American story of beating the odds and overcoming bigotry to create something greater than oneself. Inspiring.
A loving profile of Minoru “Yama” Yamasaki, a pioneering Japanese American architect whose buildings became cultural symbols across America.
When Yama was young, there were places he felt seen and those that did not welcome him. In this chronicle, his author/illustrator granddaughter shares how Yama overcame discrimination to become one of the great 20th-century architects. Lovely, lyrical prose begins Yama’s story as the world makes assumptions about his family—and how despite these degradations, he believes in the truth of his potential. Through the Great Depression and World War II as anti-Japanese sentiment rises, Yama strives to bring light and serenity to the places he creates. The artist’s painted illustrations layer elements of the architect’s stylings into each spread. The complicated renderings are earnest in their effort to convey a complex narrative. Not mentioned by name, the World Trade Center is referenced, offering a fuller view of what happened to some of Yama’s creations. While this transition is a bit abrupt, the author offers a more comprehensive look at Yama’s life and his masterpieces in the backmatter along with illustrations of his most famous buildings. Despite this change in tone, the author successfully captures the longing to fulfill the American dream and Yama’s patience and courage as he pursued that dream in the face of racism. (This book was reviewed digitally.)
An American story of beating the odds and overcoming bigotry to create something greater than oneself. Inspiring. (Picture-book biography. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-324-01701-1
Page Count: 56
Publisher: Norton Young Readers
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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