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SUNNY WANTS TO PLAY

Winning and relatable.

A young girl wishes she had siblings to play with, and neighborhood kids might fit the bill…or not.

Sunny and her extended family of parents, grandparents, aunties, and an uncle all live together in a Chinese-speaking country, as evidenced by shop signs and street scenes. Being the only child in a big, East Asian–presenting family can be lonely, and Sunny longs for “brothers and sisters like everyone else.” The adults certainly look boring as they sit around, run errands, or just nap, so Sunny entertains herself. One day, she gets a happy surprise: A neighbor child knocks at the door and brings Sunny to a nearby alley, where other kids are playing, blowing bubbles, dancing, and climbing. While Sunny is initially delighted to play with other children, a wayward ball kicked right into her face (“OUCH!”) sends her heading for the safety of home (“Phew!”) to snuggle up with her loving family. Maurey uses text sparingly, with only a few words or a single sentence on most pages; the gouache illustrations, which rely on bright colors with bold brush strokes and solid shapes, tell the bulk of the story. Sunny’s mint green dress, matching shoes, floppy sunhat, and pageboy haircut provide visual charm. Readers may be unsure what to make of her abrupt retreat, but overall it’s a charming slice-of-life tale that will especially resonate with only children.

Winning and relatable. (Picture book. 3-7)

Pub Date: March 11, 2025

ISBN: 9781774884812

Page Count: 40

Publisher: Tundra Books

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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