There’s plenty of room on the new-baby shelf for this sturdy big brother

I'M A BIG BROTHER NOW

A little black boy revels in filling “one of the most important roles in the family”—big brother.

The little boy, who looks to be about 4 or 5, tells readers how he helped Mommy and Daddy before the baby arrived, how he waited with Grandma while his parents were at the hospital, and how he adapts to the new family member. Hudson lays out a best-case scenario for her narrator and his family: he helps with apparently unflagging cheer. He proudly shares that he “knew how to dial 911 and call Daddy if the baby came early,” a detail absent from most baby-on-the-way books that’s presented matter-of-factly and without alarmism. Although the narrator is very close to a big-brother ideal, he does express disgust with “stinky diapers,” frustration with “people telling me to SHHHH because the baby is sleeping,” and disappointment when a parent can’t play because “I have to take care of the baby.” By the end of the book, the narrator understands more fully the role of big brother and is able knowledgeably to answer “Good” when “Daddy asks how my new job is going.” Walker’s airy watercolors evince on every page the love the members of this comfortably middle-class, all-black family feel for one another. Next to them, the bold, sans-serif typeface can look jarring, but it has the advantage of being easy to read for children transitioning into independence.

There’s plenty of room on the new-baby shelf for this sturdy big brother . (Picture book. 4-8)

Pub Date: May 1, 2017

ISBN: 978-1-1933491-21-9

Page Count: 32

Publisher: Marimba Books

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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Visually accomplished but marred by stereotypical cultural depictions.

HOME

Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)

Pub Date: Feb. 24, 2015

ISBN: 978-0-7636-6529-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Nov. 18, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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An invitation to wonder, imagine and look at everything (humans included) in a new way.

NOAH CHASES THE WIND

A young boy sees things a little differently than others.

Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.

An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)

Pub Date: April 14, 2015

ISBN: 978-1-60554-356-7

Page Count: 32

Publisher: Redleaf Lane

Review Posted Online: Feb. 3, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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