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HILLWALKING

A story as observant and thoughtful as the lives of Irish monks; rewarding for contemplative readers.

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Ridnouer’s debut novel relates the gentle spiritual journey undertaken by three American women living in Dublin.

The number three manifests throughout this tale of longing for meaning and love, and no more so than in the trinity of women examining their mundane lives in Ireland’s Fair City. Uprooted from the U.S. by their husbands, Jamie, Christy and Heather come together as hillwalking companions. They are drawn to Glendalough Valley in the Wicklow Mountains, where rises and vales of dewy green shelter ancient stone churches and holy wells—an apt backdrop to this meditative story. Each woman carries a burden of lost children or illness, and they wander unhappily through life until each finds a passion that transcends mere occupation. Heather becomes intrigued and artistically inspired by Saint Kevin, the founder of Glendalough’s monastic settlement; the 6th-century monk’s philosophies illuminate her own spiritual style, one in which Celtic paganism lies just beneath the surface. Christy, desperate for a baby, befriends a lonely girl in her apartment building, while Jamie, the skeptic, becomes captivated by the labyrinth at Glendalough and begins work on her own spiraling path. The women alternate between closeness with one another and their children and a growing distance from their unsympathetic husbands. But it’s not all reflection and insight: Heather and Jamie’s likable children are a nearly constant, squabbling and pouting presence. Ridnouer balances poetic descriptions with extremely casual, often pointed dialogue, peppered with words like “whatcha” and “didja.” She also does a fine job portraying the temporal, frequently amusing details of an expat American’s life in a city more than 1,000 years old. At heart, this novel is a spiritual quest, with portents, metaphor and prodigious symbolism. In time, each woman arrives at the end of her winding path changed in some quietly momentous way.

A story as observant and thoughtful as the lives of Irish monks; rewarding for contemplative readers.

Pub Date: Jan. 1, 2012

ISBN: 978-1463768270

Page Count: 251

Publisher: CreateSpace

Review Posted Online: April 18, 2012

Kirkus Reviews Issue: May 15, 2012

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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