A dark and unforgettable first book.

THE DEEPER THE WATER THE UGLIER THE FISH

A debut novel examines the ripple effects of mental illness and betrayal on a broken family.

In 1997, Edith is 16; younger sister Mae is 14. Edith is “headstrong” and loyal: She’s spent most of her life caring for her mentally ill mother after her father, Dennis, left the family when she was 4. Mae, nicknamed “Spooks” because of her eerie demeanor, is deeply empathetically connected to their mother in a way that practical Edie is not. When their mother attempts suicide and is hospitalized, the sisters are sent to New York City from Louisiana to live with their father. A famous novelist, Dennis is now faced with Edie’s bitterness and resentment at his betrayal and Mae’s bottomless emotional need for his attention. But the situation appears to be just the dangerous spark he needs to finally write the masterpiece that his early career predicted, and he is willing now, as he was in his marriage to the girls’ mother, to exploit it. Apekina’s decision to structure the novel as a kaleidoscopic whirl of perspectives is perfect: We can see how different Mae's and Edie’s understandings are of their parents’ behavior, and the minor characters that occasionally interject show how the situation appears to those outside the destructive family dynamic. We feel the characters hurtling toward disaster as Edie grows more enraged and turns to her father’s neighbor for help in returning to Louisiana to reunite with her mother and as Mae and Dennis grow mutually more obsessed with each other. Apekina’s inventiveness with structure and sentence marks the book’s every page, and the result is a propulsive and electrifying look at how family—and art—can both break people and put them back together again.

A dark and unforgettable first book.

Pub Date: Sept. 18, 2018

ISBN: 978-1-937512-75-0

Page Count: 284

Publisher: Two Dollar Radio

Review Posted Online: July 31, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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  • New York Times Bestseller

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  • National Book Award Finalist

ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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Wingate sheds light on a shameful true story of child exploitation but is less successful in engaging readers in her...

BEFORE WE WERE YOURS

Avery Stafford, a lawyer, descendant of two prominent Southern families and daughter of a distinguished senator, discovers a family secret that alters her perspective on heritage.

Wingate (Sisters, 2016, etc.) shifts the story in her latest novel between present and past as Avery uncovers evidence that her Grandma Judy was a victim of the Tennessee Children’s Home Society and is related to a woman Avery and her father meet when he visits a nursing home. Although Avery is living at home to help her parents through her father’s cancer treatment, she is also being groomed for her own political career. Readers learn that investigating her family’s past is not part of Avery's scripted existence, but Wingate's attempts to make her seem torn about this are never fully developed, and descriptions of her chemistry with a man she meets as she's searching are also unconvincing. Sections describing the real-life orphanage director Georgia Tann, who stole poor children, mistreated them, and placed them for adoption with wealthy clients—including Joan Crawford and June Allyson—are more vivid, as are passages about Grandma Judy and her siblings. Wingate’s fans and readers who enjoy family dramas will find enough to entertain them, and book clubs may enjoy dissecting the relationship and historical issues in the book.

Wingate sheds light on a shameful true story of child exploitation but is less successful in engaging readers in her fictional characters' lives.

Pub Date: June 6, 2017

ISBN: 978-0-425-28468-1

Page Count: 352

Publisher: Ballantine

Review Posted Online: March 21, 2017

Kirkus Reviews Issue: April 1, 2017

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