From the plucky heroine whose life is not very hard to the easy potshots at stereotypical monster-moms, this novel is so...
From Hemmings (Juniors, 2015, etc.), a potato-chip–thin comedy about a single mother in San Francisco hoping to win a cookbook competition.
Thirtyish recipe blogger Mele is a struggling (with help from rich parents in Hawaii) but adoring single mom to 2-year-old Ellie. When she was pregnant, Mele's boyfriend, Bobby, dumped her for a woman he calls “the love of his life,” and he's finally marrying her in three weeks. Bobby wants Ellie to be the flower girl; Mele agrees but then obsesses about attending the wedding herself. Meanwhile, she enters a cookbook competition sponsored by the San Francisco Mother’s Club. If such an organization actually exists, no one would want to join it after reading Mele’s description of her horrible experiences with snobby members or the obnoxious online postings by monster-moms which are sprinkled throughout. Hemmings structures the novel as Mele’s answers to a questionnaire that competition entrants must fill out. Mele turns for inspiration to her own makeshift parent group that gathers at the unfashionable Panhandle playground, creating recipes inspired by stories from each member. Financially strapped mother-of-three Georgia worries about her teenage son, Chris, until they connect over In-N-Out burgers. Punkish, highly educated graphic artist Annie lets the goody-goody babysitter she shares with a monster-mom intimidate her but gets revenge with a special brownie. (Annie’s kitchen skills, equal to Mele’s, create a bit of sloppy plot redundancy.) Anxious realtor Barrett is aghast when her newly popular middle school son throws a “hood party” based on ugly racial and sexual attitudes. And then there is rich, handsome, sensitive Henry, whose wife is having an affair and whose friendship with Mele may be edging toward something more.
From the plucky heroine whose life is not very hard to the easy potshots at stereotypical monster-moms, this novel is so contrived it’s hard to believe it comes from the same author as the emotionally wrenchingThe Descendents (2007).Pub Date: Aug. 9, 2016
ISBN: 978-1-5011-0079-6
Page Count: 240
Publisher: Simon & Schuster
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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