Striking style, memorable characters, and a believably miraculous premise add up to a beautifully crafted first novel.
By turns lyrical and gritty, a moving family story focuses on the aftermath of miracles.
From its opening pages, this debut novel juxtaposes the realities of life for a working-class Hawaiian family and the mysticism of the Native culture that shapes them, with surprising results. Augie and Malia and their children—sons Dean and Nainoa and daughter Kaui—find their lives forever changed when, during a boat tour, little Noa falls overboard and is rescued by sharks, unharmed, as witnessed by a boatload of passengers. It’s an echo of old legends that is reinforced a few years later when the boy heals an accident victim’s injuries (although his mother offers an origin story that suggests he was marked by the old gods from conception). Noa’s gift is a source of both wonder and cold hard cash, not to mention a baffling burden for a kid. In chapters narrated in turn by each member of the family, the siblings grow up, Dean and Kaui always feeling they are in their brother’s shadow, all of them balancing on the edge of poverty. Dean is a talented athlete, Noa and Kaui top students, and Augie and Malia manage to send all three to the mainland for college. But with the family fractured, all of them struggle, and only some find redemption. Washburn’s prose is lush and inventive; a native of Hawai’i, he portrays the islands and their people with insight and love. He skillfully creates distinct voices for each of his narrators: resentful Dean, wisecracking Kaui, happy-go-lucky Augie, and Malia the true believer: “The kingdom of Hawai’i had long been broken—the hot rain forests and breathing green reefs crushed under the haole commerce of beach resorts, skyscrapers—and that was when the land had begun calling. I know this now because of you.” That ”you” is Noa, sweet and bighearted and wrecked by his unasked-for powers. Their stories go in unexpected directions, from hilarious to heartbreaking.
Striking style, memorable characters, and a believably miraculous premise add up to a beautifully crafted first novel.Pub Date: March 31, 2020
ISBN: 978-0-374-27208-1
Page Count: 384
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
A heartwarming portrait of a broken heart finding a little healing magic.
After acing a job interview and accepting a marriage proposal, Dannie Kohan has had the perfect day. That is, until she awakens to find herself five years in the future with a completely different man.
Just one hour in that alternate reality shakes Dannie to her core. After all, highly ambitious Dannie and her boyfriend, David, have plotted out their lives in minute detail, and the sexy man in her dream—was it a dream?—is most certainly not in the script. Serle (The Dinner List, 2018) deftly spins these magical threads into Dannie’s perfectly structured life, leaving not only Dannie, but also the reader wondering whether Dannie time traveled or hallucinated. Her best friend, Bella, would delight in the story given that she thinks Dannie is much too straight-laced, and some spicy dreaming might push Dannie to find someone more passionate than David. Unfortunately, glamorous Bella is in Europe with her latest lover. Ever pragmatic, Dannie consults her therapist, who almost concurs that it was likely a dream, and throws herself into her work. Pleased to have landed the job at a prestigious law firm, Dannie easily loses her worries in litigation. Soon four and a half years have passed with no wedding date set, and Bella is back in the U.S. with a new man in her life. A man who turns out to be literally the man of Dannie’s dream. The sheer fact of Aaron Gregory’s existence forces Dannie to reevaluate her trust in the laws of physics as well as her decision to marry David, a decision that seems less believable with each passing day. And as the architecture of Dannie’s overplanned life disintegrates, Serle twists and twines the remnants of her dream into a surprising future.
A heartwarming portrait of a broken heart finding a little healing magic.Pub Date: March 3, 2020
ISBN: 978-1-9821-3744-1
Page Count: 240
Publisher: Atria
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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