Chorao (Mother Goose Magic, 1994, etc.) clearly states her intentions for this anthology in her introduction and in the selection of the first two pieces. Overlaid against a phantasmagoric scene of sunshine on water, two poems face each other: James Weldon Johnson's Christian ``Up from the bed of the river'' and the ``Dakota Prairie Hymn.'' Thus the collection, ``created in the hopes of encouraging children to think about giving,'' is to be both pious and inclusive; the tiny figures in that spread's foreground could be either Madonna and the Christ Child or a Native American mother and baby. The scope broadens to include offerings from the Bible, Langston Hughes, Eleanor Farjeon, William Blake, Tu Fu, Rabbi Moshe Hakotun—a divergent religious spectrum for a subject matter and artistic style that are consistently traditional. The predominance of rural scenes may make city children wonder if their surroundings are as praiseworthy. A sentimental and somewhat overwrought collection whose gifts will be best appreciated by browsers. (Picture book/poetry. 3-6)
Pub Date: Nov. 1, 1995
ISBN: 0-525-45409-8
Page Count: 64
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1995
Through quick thinking and personal sacrifice, a wise old Japanese farmer saves the people of his village from a devastating tsunami in this simple yet striking story based on Lafcadio Hearn’s “A Living God.” Ojiisan lives in a cottage on a mountain overlooking the village and sea. One day, villagers gather to celebrate the rice harvest, but Ojiisan stays home thinking “something does not feel right.” When the earth quakes and the sea darkens and runs away from the land, Ojiisan realizes a tsunami approaches. Fearing the oblivious villagers will be swept away, Ojiisan torches his rice fields to attract attention, and they respond, barely escaping the monster wave. Rendered in gouache, pastel and collage, Young’s illustrations cleverly combine natural textures, bold colors and abstract shapes to convey compelling images of chaos and disaster as the rice fields burn and the wave rushes in. In one literally breathtaking double-page spread, an enormous wall of water engulfs the teeny seacoast village. A visually powerful and dramatic tribute to one man’s willingness to sacrifice everything for others. (Picture book. 3-5)
Pub Date: Jan. 1, 2009
ISBN: 978-0-399-25006-4
Page Count: 32
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2008
BOOK REVIEW
The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)
Pub Date: June 1, 1999
ISBN: 0-8037-2386-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
SEEN & HEARD
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