A paranormal thriller that’s sure to please both Hooper’s fans and those who like the genre.
Hooper’s latest in her Bishop/Special Crimes Unit series (Blood Ties, 2010, etc.) takes readers to a small North Carolina mountain town with the operatives of Haven.
Haven, the privately held pet project of a billionaire interested in psychic phenomena and crime fighting, sends its operative Jessie home to Baron Hollow, the town she fled 15 years earlier. When Jessie ran, she left behind her younger sister, Emma, and cold, reserved father. Since then, their father has died and Emma now runs the ancestral family home as an inn. But Jessie needs to return home in order to resolve exactly what sent her fleeing Baron Hollow in the first place. When she arrives, she and operative Nathan Navarro, a fellow psychic sent to back her up without her knowledge, each sense a dark presence in the town. Soon, Navarro turns up the body of a young woman in the wild mountains and hiking trails near the town, and there’s little doubt in Navarro’s mind that a serial killer is working in the area. Jessie has come to the same conclusion after seeing several ghosts bearing warnings. And even Emma, who has never openly admitted to a penchant for psychic ability, is uneasy and suffering from bad dreams in which she keeps seeing young women brutalized and murdered. Before long, Jessie starts digging up painful past personal history and making waves in a town where everyone knows everyone and everyone knows everyone else’s business. And, while Jessie puzzles through to find an answer to all that’s tormenting her, the killer continues to target helpless young women who stumble into the Hollow. Hooper weaves an intricate and complicated story into a coherent plot with plenty of twists and turns, but the tale she tells is dark and sometimes difficult to read. There’s also an element of recklessness about Jessie’s personality and reactions to obvious danger that’s both discomfiting and unconvincing. However, Hooper is a good storyteller and manages to make it all seem believable.
A paranormal thriller that’s sure to please both Hooper’s fans and those who like the genre.Pub Date: July 31, 2012
ISBN: 978-0-425-25874-3
Page Count: 336
Publisher: Berkley
Review Posted Online: June 30, 2012
Kirkus Reviews Issue: July 15, 2012
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
PROFILES
BOOK TO SCREEN
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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