THE SNOW QUEEN

Between padded covers, a lightly compressed version of Andersen’s frosty classic is paired to lushly detailed illustrations enhanced by scattered flaps and movable bits.

Though she clears away much of the slushy sentiment as well as the angels, the prayers, the robber maiden’s knife and most of the talking flowers (and the Lapp woman), Woodward leaves all the major characters, plus the distinctive “girl sets out to rescue captive boy” plot, intact. Along with adding back a few angels at the beginning, Sumberac goes on to place marionettelike figures sporting oversized eyes and big, frizzy hair into settings that are positively encrusted with ice and snow crystals or with seasonal arrays of exactly rendered flora, fauna and fungi. The effect is not so much bland or cloying as theatrically sumptuous, and the illustrations are so thick with fine detail that the small die-cut flaps on occasional spreads are hard to spot even though they come with discreetly placed instructions to “lift.” More visible is the two-sided spinner and a pull tab that causes the “sprite’s” mirror to explode and on the next spread propels Kay and Gerda into view. The closing pop-up view of the two children kneeling over the “Eternity” sign in the Snow Queen’s icy hall is suitably dramatic (if on the flimsy side). The lengthy text demands either an independent reader or a very dedicated grown-up.

Similarly opulent renditions abound, but this is as good as any for parents wishing to introduce Frozen-mad children to the Disney movie’s original.