Alluring, lyrical prose, although story questions still linger.

THROUGH FIRE AND ICE

From the Nemecene series

The third entry in Lefave’s (The Gadlin Conspiracy, 2017, etc.) dystopian series finds twins Elize and Keeto at the center of a government’s war against their Gadlin race.

When the twins first moved to the city of Eadonberg, they feared that their father would have Elize committed, like their mother. Now Elize’s psychosis is getting worse as she continues hearing voices and experiencing blackouts. However, the siblings may be able to find some answers in their new city, starting with the nature of their father’s secret project at the Unification Research Arm, where he was once director. They’re also searching for a boy named Teddy, who may have some insight into what happened to some recently abducted children as well as into the twins’ missing childhood memories, which could explain Elize’s mental deterioration. Meanwhile, Sothese, who’s the governor of the Global Spiritual Unit and the adviser to a political and religious figurehead called the Pramam, is hunting the twins. He wants revenge for their actions in the preceding novel; he’s also aiming to become the Pramam’s successor—whatever it takes. As the Unification government wages war against the Gadlins, blaming them for terrorist acts, Elize retaliates by leading the Gadlins’ underground community in an uprising. Although Lefave’s story picks up subplots launched in earlier books, it does show some narrative progress. The twins, for example, who’d previously only pondered their origin, finally receive a startling revelation. The author relays the action through three narrators: Sothese, Elize, and Keeto. The most engaging account is Elize’s, which is often abstract—her spoken dialogue intermingles with the taunting or advice-giving voices in her head—but never confusing. Throughout, Lefave’s prose is fervent and self-assured: “They are tuned into Eli’s deviant vocal chords, and they are waiting for the nefarious songstress to get a little too disruptive at the opportune moment.” This installment concludes the first trilogy of a proposed 10-part series, leaving a number of points unresolved.

Alluring, lyrical prose, although story questions still linger.

Pub Date: March 6, 2018

ISBN: 978-1-988814-02-5

Page Count: 384

Publisher: Aguacene Publishing

Review Posted Online: Jan. 18, 2018

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A breezy and fun contemporary fantasy.

THE HOUSE IN THE CERULEAN SEA

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 11, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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