There are too few lesbian love stories written for teens; it’s a shame this one is so lackluster.

THE ROAD TO HER

In a cliché-ridden lesbian romance, two young British actresses develop an off-screen relationship.

Holly Croft, now 20, has played a role in the evening soap opera Portobello Road since age 12. Now, Holly’s character, Jasmine, is—in the book’s British parlance—at university, and the show’s producers have decided to introduce Jasmine to Casey, a female love interest. It’s a well-known trope for two characters destined for romance to first get along poorly, but the dialogue and description in the first argument between Holly and her new co-star Elise are so awkwardly constructed that Elise’s brusqueness and Holly’s resulting anger both feel forced. Once the pair become romantically involved, their expressions of mutual adoration are similarly ineffective, and some of their interactions (Elise tells Holly, “You’re kinda sweet when you’re angry”; Holly insists Elise liked an unwanted kiss) come across as profoundly disrespectful. While there may be some truth to Elise’s fear that being out as a lesbian would jeopardize her career, the public universally seems to adore the Jasmine-Casey relationship, and the book never adequately discusses that contrast.

There are too few lesbian love stories written for teens; it’s a shame this one is so lackluster. (Romance. 12-18)

Pub Date: July 16, 2013

ISBN: 978-1-60282-887-2

Page Count: 264

Publisher: Bold Strokes Books

Review Posted Online: May 29, 2013

Kirkus Reviews Issue: June 15, 2013

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Black is building a complex mythology; now is a great time to tune in.

THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 26, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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This story is necessary. This story is important.

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THE HATE U GIVE

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.

Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.

This story is necessary. This story is important. (Fiction. 14-adult)

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-249853-3

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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