First-rate debut thriller involving forensic psychology by practicing psychiatrist Ablow (The Strange Case of Dr. Kappler: The Doctor Who Became a Killer, 1994). Ablow's protagonist, forensic psychologist Frank Clevenger, makes for a distinctly unusual hero: He repeatedly falls off the wagon, goes from one billowing, self-defeating obsession to the next, buys coke on borrowed money, buys sex at nude dance bars, bottomlessly gulps scotch, gambles, drives drunk, digs S&M, can't pay his bills, solicits his mother for drug money, and more. The upside is that Clevenger's terrific insight into abnormal behavior may in fact be just because he's so twisted himself, a result, it's suggested, of his being the product of an alcoholic, suicidal, abusive father and a promiscuous mother. Now Frank is called in by Chief Emma Hancock to help send up the killer who murdered a young woman and cut her breasts off. A homeless nut wants to confess, but Frank, after interviewing him, says no. When her own niece becomes the madman's second victim, Emma gives Frank free rein to chase the perp and throws in three grams of coke to keep him stable. Meanwhile, Frank has huge fights with his live-in mate, Kathy, an ob-gyn who delivers babies all day and keeps leaving Frank because he won't quit the coke. Following leads to his favorite girlie bar, where he sits in ``Perverts' Row'' and feeds money to naked dancers, Frank finds himself attracted to Rachel, a star-crossed lady who analyzes him more keenly than he can himself. Ablow's main subject here is psychology, not melodrama, and, yes, he's written a cautionary tale. But, like The Lost Weekend, it ends with the hero still self-deluded and in denial—with Clevenger thinking, against the evidence, that he's on the road to recovery. A novel for the self-destructive in all of us. *justify no*
Pub Date: July 9, 1997
ISBN: 0-679-44211-1
Page Count: 272
Publisher: Pantheon
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1997
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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