Whether they’re counting scores of peas, enjoying the rhymes and puns or relishing the funny visual quirks, families are...
After an alphabetical, rhyming tour de force (LMNO Peas, 2010), Baker’s energetic pea pack is back—this time, to count by ones and 10s.
Baker sidesteps the trickiness of rhyming the numerals by selecting a repeating word for each short verse. “ONE pea searching—look, look, look, / TWO peas fishing—hook, hook, hook.” Those numerals rise sky-high (to peas, at least) to dominate the digitally composed visuals, often serving as props for the frenzy of vegetative activity. At “TEN peas building—pound, pound, pound,” the peas erect a wooden platform around the numeral—mainly, it would seem, as an excuse for exuberantly hammering dozens of nails. Baker circumvents those oft-pesky ’teens in one deft double-page spread: “Eleven to nineteen—skip, skip, skip!” Then it’s a double-page spread per decade, with peas traveling, napping, watching fireworks and more. “SEVENTY peas singing” provide a bevy of details to spy: A fab foursome (the Peatles) rocks out above a chorus and director. Nearby, a barbershop quartet, a Wagnerian soloist, a showering pea and a dancing “Peayoncé” add to the fun.
Whether they’re counting scores of peas, enjoying the rhymes and puns or relishing the funny visual quirks, families are sure to devour Baker’s latest winner. Totally ap-pea-ling! (Picture book. 3-7)Pub Date: July 24, 2012
ISBN: 978-1-4424-4551-2
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: May 29, 2012
Kirkus Reviews Issue: June 15, 2012
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
An accessible entrance into the world of social-emotional skills.
What do you do when the world turns upside down?
Freckled redhead Tilda is a happy only child with a rollicking personality. With lots of books and toys and a multiracial group of friends, life is perfect as far as she’s concerned…until her world undergoes a troubling change (a subtle hint in the illustrations suggests that Tilda’s parents have divorced). Suddenly, nothing feels right, everything seems hard, and she doesn’t want to play with her friends. To reflect this emotional disorientation, the artwork shows Tilda in spatially distorted settings, complete with upside-down objects. It’s not until she sees an upturned ladybug struggle persistently before getting back on its feet (despite Tilda’s desire to help, the ladybug needs to help itself) that Tilda gains the courage to start taking baby steps in order to cope with her new reality. There are still challenges, and she needs to persevere, but eventually, she regains her zest for life and reconnects with her friends. Despite this, the ending avoids an easy happily-ever-after, which feels just right for the subject matter. Though a trifle didactic, the story sends an important message about the roles of self-efficacy and persistence when it comes to overcoming challenges and building resilience. Percival’s digital illustrations use transitions from grayscale to color to create symbolic meaning and have psychological depth, deftly capturing a child’s experience of trauma.
An accessible entrance into the world of social-emotional skills. (author's note) (Picture book. 3-6)Pub Date: March 1, 2022
ISBN: 978-1-5476-0822-5
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Dec. 26, 2021
Kirkus Reviews Issue: Jan. 15, 2022
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