This necessary read decolonizes the Western construction of climate change.
A whale child and his mother share a dream of their human relatives.
The whale child has been chosen to turn into human form and teach the lessons of the ocean to his human sister, Alex, who lives in the Pacific Northwest with her Coast Salish mother and Polynesian father. For several days, the whale in boy form leads Alex on an environmental learning journey, taking her on daily walks to educate her about the negative impact that human culture has had on the environment. He teaches Alex about water pollution, overfishing, and climate change that inevitably leads to the extinction of many animal species and the destruction of ecosystems. When he returns to the ocean in his original whale form, it is up to Alex now to teach what she has learned to other humans. Vivid illustrations juxtapose the beauty and scale of the natural world that the children explore. The story is followed by extensive backmatter: a glossary of environmental terms, a brief history of the Pacific Northwest Native cultures, classroom learning activities, and ideas for student projects. Infusing qualities of traditional storytelling into the narrative, Keith Egawa (Lummi) and Chenoa Egawa (Lummi and S’Klallam) offer a perspective on climate change from the lens of Indigenous people. By relating the tale through the eyes of children, the author-illustrator team evokes an empathy that should stir a wide audience.
This necessary read decolonizes the Western construction of climate change. (Fiction. 7-12)Pub Date: Oct. 13, 2020
ISBN: 978-1-62317-486-6
Page Count: 120
Publisher: North Atlantic
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
BOOK REVIEW
Classic action-packed, monster-fighting fun
It’s been 42 days since the Monster Apocalypse began, and 13-year-old Jack Sullivan, a self-proclaimed “zombie-fighting, monster-slaying tornado of cool” is on a quest to find and rescue his not-so-secret crush, June Del Toro, whether she needs it, wants it, or not.
Jack cobbles together an unlikely but endearing crew, including his scientist best friend, Quint Baker; Dirk Savage, Parker Middle School’s biggest bully; and a pet monster named Rover, to help him save the damsel in distress and complete the “ULTIMATE Feat of Apocalyptic Success.” Middle-grade readers, particularly boys, will find Jack’s pitch-perfect mix of humor, bravado, and self-professed geekiness impossible to resist. His sidekicks are equally entertaining, and it doesn’t hurt that there are also plenty of oozing, drooling, sharp-toothed monsters and zombies and a host of gizmos and gadgets to hook readers and keep them cheering with every turn of the page. Holgate’s illustrations play an integral role in the novel’s success. They not only bring Brallier’s characters to life, but also add depth and detail to the story, making plain just exactly how big Rover is and giving the lie to Jack’s “killer driving.” The marriage of text and illustration serves as a perfect example of what an illustrated novel can and should be.
Classic action-packed, monster-fighting fun (. (Graphic/horror hybrid. 8-12)Pub Date: Oct. 13, 2015
ISBN: 978-0-670-01661-7
Page Count: 240
Publisher: Viking
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.
Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).
The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)Pub Date: Dec. 26, 2017
ISBN: 978-0-545-93518-0
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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