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THE FOUR STAGES OF CRUELTY

A darkly compelling, one-of-a-kind prison thriller.

A female corrections officer's humanity is tested by unthinkable brutality at a hellish maximum-security prison after she begins probing its secret criminal underground.

Hollihan's astonishing debut is told from the perspective of Kali Williams, a 39-year-old guard who is at greater mortal risk patrolling the creepy corridors of the Midwestern Ditmarsh Penitentiary than she was during a three-month military stint in Iraq. Kali is plenty tough—she wants to join the SWAT-like Urgent Response Force—but her vulnerable streak is exposed by her protective relationship with a withdrawn young misfit who is in the "howler ward" for murdering his girlfriend. He has in his possession a comic book drawn by a fellow prisoner that supposedly contains clues to where a cache of drug money was hidden years ago. After the book's artist shows up dead in the prison's shuttered, dungeon-like basement, a "wind chime" hanging from a door, Kali discovers that corruption permeates the place: The people she trusts are as suspect as the "barely human" individuals whose incurable addictions landed them there. Teamed with an undercover federal investigator, she is soon leading a dangerous double life in attempting to peel back layers of myth and reality. As airless and shadowy as the prison, the book goes well beyond conventional prison dramas with its unnerving intensity, graphic violence, discussions of the meaning of evil and "the mystery of human compassion" and lack of heroics. As thoughtful as it is violent, the narrative gets under your skin early and keeps you hooked even when you want to look away. Hollihan's first-person depiction of Kali and her struggles in no-woman's land is flawless. The network of arch villains, dealmakers, goons and do-gooders is drawn in convincing detail.

A darkly compelling, one-of-a-kind prison thriller.

Pub Date: Dec. 1, 2010

ISBN: 978-0-312-59247-9

Page Count: 304

Publisher: Dunne/St. Martin's

Review Posted Online: Sept. 27, 2010

Kirkus Reviews Issue: Oct. 15, 2010

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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