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How to Configure and Equip your Warehouse

FROM DOCK TO STOCK AND BACK TO DOCK

An informative operational due-diligence primer.

In this manual, two materials-handling equipment salesmen detail how to determine the best equipment and layout for new and existing warehouse buildings.

In an introduction, experienced sales reps MacDonald and Binns (Exercises, Instructive and Entertaining, in False English, 2008) warn that with warehouses, “layout is very much a game of inches….An unexpected extra half inch per bay, when multiplied a number of times in a row of racks, can cause an expensive headache.” In the pages that follow, they spec out the choices and issues that managers should consider regarding floor and space layout, including such variables as storage depths, heights, and aisle widths, as well as when and where to use forklifts, reach-trucks, and order-pickers so as to arrive at a configuration “most advantageous for your mix of products and orders.” Other topics include the building-block method of storage planning; dock equipment and pallets; automated guided vehicles; and how to combine different pieces of equipment into a unified system. The authors sprinkle commentary throughout on safety issues, such as how to guide order-pickers into narrow aisles to allow easy, safe picking from shelving, but they also note their concern that some of these tips “seem to be little known or used.” They also include layout and equipment illustrations, as well as a terminology section. Throughout, MacDonald and Binns demonstrate laudable awareness that even their intended audience may be intimidated by their manual’s dry topic and high level of detail. That said, the authors provide a helpful overview here for anyone involved in setting up warehousing operations, including the important tip to “go ‘round the circle’ a few times to review the best solutions for your specific needs.” In a tee-up section, “Why Bother,” they make a compelling case not to simply adopt what others in the industry are doing, as they may be working with outdated equipment, inefficiencies, and avoidable problems. However, more detail on how specific equipment and layout configurations might play out for specific products and industries would have been welcome.

An informative operational due-diligence primer.

Pub Date: March 18, 2016

ISBN: 978-1-4602-7834-5

Page Count: 336

Publisher: FriesenPress

Review Posted Online: Oct. 6, 2016

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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