This celebration of renewable power is all about the manic pixie wind girl.
Who’s gusting around town and cheerfully blowing things hither and yon?
Poul’s “curious about the wild blue girl.” Poul, a redheaded white boy, stands holding a pinwheel while another kid disappears off the page nearby—someone with streaming blue hair and blue pants with blue suspenders. In fact, everything about her is blue, including her big blue grin and the blue rosiness of her cheeks (her skin is the white of the background paper). She’s the same size as Poul, but her strength and influence aren’t: Everywhere she goes, hats and flowers blow away, hair gusts sideways, and no pile of leaves is safe. The townspeople, a multiracial group, consider her “a nuisance,” but Poul adores her and sets out researching her powers, “study[ing] and measure[ing], test[ing] and buil[ding].” He erects a windmill—for she is, of course, the wind. Negley’s watercolor pencils and cut-paper collage (of solid paper, patterned paper, and newsprint) create a breezy, buoyant setting with ample air and an exuberant feeling even during the (mild) chaos. The text never identifies the wild blue girl as the wind, but readers will get it. However, what they won’t understand, unless they already know about windmills, is the turbine Poul builds. The art shows turbines, but neither art nor text explains a thing about them (until the author’s note introduces 19th-century Danish scientist/inventor Poul la Cour).
This celebration of renewable power is all about the manic pixie wind girl. (historical photograph) (Picture book. 3-8)Pub Date: April 14, 2020
ISBN: 978-0-06-284680-8
Page Count: 40
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Dec. 17, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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