Scribner has done his homework on everything from radicalism to perfumes, but in service to an overly schematic plot.
An East Coast couple grows increasingly entangled in the political and emotional lives of Oregon radicals.
As the third novel by Scribner (The GoodLife, 2000; Miracle Girl, 2003) opens, Scanlon and Naomi are a married couple heading west under a cloud of anxiety. Scanlon is an academic who specializes in anarchist and secessionist movements, but a much-derided journal article has shut him out of teaching jobs at first-tier universities. Naomi, for her part, is worried about her pregnancy and unhappy to be living in a fogbound Oregon college town. But there are upsides: The clean air appears to have revived the acute sense of smell she lost in a car accident, which ended her career as a perfume designer, and Scanlon has plenty of source material for his research. Indeed, as Scanlon becomes increasingly involved in one such movement he’s eventually appointed its leader—which on top of being bad form academically puts him in the awkward company of Sequoia, a tempting Earth goddess type. Naomi, meanwhile, struggles to manage the new baby while growing closer to Clay, a young, brooding and sometimes violent anarchist. Scribner realistically captures the nature of secessionist movements, but he leaves room for humor, usually at Scanlon’s expense: He’s routinely put into humiliating situations with his skeptical department chair or academic colleagues, and sweats over his attraction to Sequoia. And writing about Naomi gives Scribner’s prose an interesting degree of sensual detail; she captures a surprising amount of information through smell. Still, the book feels overwritten, full of dry subplots and scenes packed with needless detail. Eventually, the plot strains credulity: Scanlon’s academic colleagues hardly bat an eye that he’s lost his objectivity in leading the anarchist collective, and the collective is largely oblivious that they’re thesis fodder. The author resolves the many plot threads, but requires a contrived ending to get there.
Scribner has done his homework on everything from radicalism to perfumes, but in service to an overly schematic plot.Pub Date: June 17, 2011
ISBN: 978-0-307-59478-5
Page Count: 352
Publisher: Knopf
Review Posted Online: April 3, 2011
Kirkus Reviews Issue: April 1, 2011
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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