by Keith Yocum ‧ RELEASE DATE: June 21, 2016
A scary, smart, sweet, sexy CIA tale.
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Returning to work after his wife’s death, a CIA investigator leaves on assignment for Australia, where he encounters danger, romance, and, unexpectedly, poetry.
As this thriller opens, CIA investigator Dennis Cunningham lies on the ground staring at the shoes of the person who betrayed and then shot him. The novel flashes back six months, when Cunningham returns to work after a lengthy bereavement leave. His boss asks him to soften his usual confrontational style and track down Geoffrey Garder, a junior agent who disappeared while working in Australia. What initially seems to Cunningham like a demeaning “Cub Scout assignment” becomes more intriguing when he arrives in Perth, in part because of his Australian Federal Police contact, recently divorced Agent Judy White. Cunningham is attracted to the Aussie with the shapely legs and upturned nose, and she is drawn to the gruff, blue-eyed Yank. As Cunningham learns more about Garder, such as his penchants for poetry and rare watches, the missing agent’s car is located in the Shark Bay area. It’s assumed he went snorkeling and became lunch for a great white. But when Cunningham discovers Garder’s belongings were covered in uranium, questions emerge. Believing the shark theory suspicious, Cunningham thinks the agent may still be alive. His investigation takes him home to the U.S., then to Switzerland, and finally back Down Under. Because Yocum (Daniel, 2015, etc.) has lived in Australia, descriptions of Perth and the surrounding area are vivid. While working the case, Cunningham discovers the beautiful colors of Australia—the green-blue waters, orange-red dust, and pink tufted birds—but he also encounters another hue, the color of blood. In an unrelated drug-deal case, White falls victim to violence but survives a searing torture scene. She and Cunningham learn that, aside from their jobs, they have several other things in common. For example, each has only one child, and both parent-child relationships enrich the book. The scenes of Cunningham and White helping each other on their cases are especially smart, and their romance feels genuine. Along with suspense related to their assignments and the possibility of being double-crossed, there’s tension over whether their extremely geographically challenged relationship can survive.
A scary, smart, sweet, sexy CIA tale.Pub Date: June 21, 2016
ISBN: N/A
Page Count: 394
Publisher: Kindle Press
Review Posted Online: June 7, 2016
Kirkus Reviews Issue: Aug. 1, 2016
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Best Books Of 2015
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National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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