Though there are a few unnecessary coincidences, Estes' debut is a pleasing blend of historical fiction and contemporary...
In a house on Orcas Island, the stories of two young women unfold: a 19th-century Chinese-American and a recent college graduate trying to piece together a mystery left behind.
Inara Erickson, just out of business school, has a corporate job at Starbucks waiting for her. She just needs to settle her aunt's estate before she steps into adulthood. Aunt Dahlia has left her Rothesay, the family compound on Orcas Island in the Puget Sound. But when Inara gets there, she begins to take Dahlia's old dream of turning the place into a hotel seriously. While poking around, she finds a piece of elaborately embroidered cloth hidden in a stair tread. She returns to Seattle with two objectives: to find out more about the embroidered sleeve and to convince her father to finance her conversion of Rothesay into a boutique hotel. Alternating with Inara's story, Mei Lien's tragic tale comes to light. Born in Seattle, she lives with her father and grandmother above their dry goods shop until public sentiment turns violent. On the tail of the Chinese Exclusion Act, her whole neighborhood is forced onto a boat for China. But the ship's racist owner, Inara's great-great-great grandfather Duncan Campbell, has other plans—to dump his human cargo into the sea. Mei Lien is rescued by Joseph McElroy and brought to his homestead on Orcas. They fall in love, marry, and have a son but are ostracized—and worse yet, Duncan Campbell is their neighbor. Meanwhile, Inara is beginning her own romance with Daniel Chin, an academic who's helping her research the origin of her embroidered cloth. When Inara discovers that her ancestor, soon to be commemorated in a city park, is a mass murderer, she has to decide whether to reveal her secret.
Though there are a few unnecessary coincidences, Estes' debut is a pleasing blend of historical fiction and contemporary drama.Pub Date: July 7, 2015
ISBN: 978-1-4926-0833-2
Page Count: 400
Publisher: Sourcebooks Landmark
Review Posted Online: July 12, 2015
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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