A funny, honest, and compassionate account of growing up with a master of comedy.

A CARLIN HOME COMPANION

GROWING UP WITH GEORGE

George Carlin’s daughter offers an intimate look at her life growing up with a comedy legend.

Kelly Carlin was the only child of a father who started doing stand-up “on the stoops on his block, imitating the priests, cops and shopkeepers of [his New York City] neighborhood.” By the time she was 3, the family moved from Manhattan to Hollywood, where her father began to taste the success he had always dreamed of. But notoriety had its price. Carlin and her mother, Brenda, were often alone while George was out on the road performing. Brenda began to turn to alcohol and drugs to assuage the pain of separation and—in accordance with her husband’s wishes—of being unable to seek a life and career outside the home. Tired of being a “performing monkey” who entertained without touching on what he considered to be the truths of his times, George outgrew his early image as a clean-cut performer. By the early 1970s, he was routinely dropping acid, ingesting “ridiculous amounts of cocaine” and openly challenging the establishment with fiercely provocative comedy. Meanwhile, the Carlin household descended into chaos. Brought up without a clear sense of herself, the directionless author became involved in abusive relationships, a pattern she broke only after deciding to return to college in her late 20s. From that moment on, her “poor Hollywood rich kid” story evolves into an even more compelling one about a woman who struggles to come to terms with the parents she loved but whose choices and permissiveness caused her to stumble as a young adult. Without casting blame on either parent, Carlin emerges from the troubled shadow of her family. She becomes a self-aware woman able to appreciate the contributions both made to her life and—in the case of her father, the comedic “god you could smoke a joint with”—to the world.

A funny, honest, and compassionate account of growing up with a master of comedy.

Pub Date: Sept. 15, 2015

ISBN: 978-1-250-05825-6

Page Count: 336

Publisher: St. Martin's

Review Posted Online: May 6, 2015

Kirkus Reviews Issue: July 1, 2015

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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