In this comical tale, one kingdom is fed up with its disobedient dragon.
This book may seem like your classic “bad dragon gone terrible” tale, complete with a king, a castle, and knights, but the text and illustrations work together to offer readers a different story—one that is modern and timeless. Dragon isn’t terrible in the way readers might suspect. Dragon is actually “super terrible” and spends his days spitting on cupcakes (“Who does that?!”) and stealing candy from baby unicorns (“Honestly, that’s terrible”). The illustrations add depth to each character and successfully integrate one contemporary character (a bespectacled, light-skinned child wearing sneakers and carrying a banjo) into the historical setting, which, in conjunction with the minimalist backdrop and modern narrative voice, creates relevancy and fosters a connection with readers. A valiant effort is made to include diverse characters, with a brown child, a brown wizard, and knights of varying skin tones. Perhaps the book’s most remarkable feat is its ability to gently and humorously suggest alternative, peaceable methods for dealing with negative emotions and destructive behavior while also reminding readers of the cathartic power of a good story. Astute readers will be able to pinpoint the moment when Dragon’s heart becomes open to change.
This is one terribly good dragon tale that will leave readers laughing and with an appreciation for the healing power of a good book. (Picture book. 3-8)