Powerful, historically based novel of survival, beliefs, adaptation and resistance.
An elderly woman reflects on her early years living as a Mormon on the run in author Simmons’ absorbing debut novel, based on a true story.
In 1898 Utah, 10-year-old Mary Higginsen, her nearly blind mother, and her brothers and sisters are taken by their father to Billie’s Mountain to live in a cave to avoid his arrest for polygamy. Mary and her relatives are a second family; Father has another wife to whom he is legally wed. After helping them to settle in, Father returns to town to his first family, leaving elder son Zebedee in charge. Believing the separation from Father to be temporary, the children work nearly constantly, cooking, washing and planting, although their efforts are sometimes for naught. Earnest Zebedee remains thankful for small mercies, but recalcitrant Mary has doubts: “If this was God’s idea of a blessing, it certainly was a sorry one.” In winter, supplies run dangerously low. As weeks pass without Father, Mary is increasingly angered by her family’s blind trust and their predisposition to suffer while Father’s other family presumably lives in comfort. Facing frostbite and starvation, they are rescued by a neighbor, Brother Bigler. He, too, practices plural marriage and is drawn to Mary, who resists his advances. She realizes the significance of polygamy (multiple wives ensure progeny), but Mary has no wish to be submissive or to marry. Although initially a survival tale, recalling some of the sacrifices in Susan Beth Pfeffer’s Life As We Knew It (2008), the novel skillfully addresses the claustrophobic, cultlike burden of belief and how a willful individual like Mary could be coerced to comply. Through no fault of their own, the Higginsens are treated like “beggar children” by one of Brother Bigler’s wives, who will later risk her own status in an act of kindness to Mary. Perhaps Brother’s wives aren’t as happy as they claim. Sensing the incongruity, resourceful Mary both adapts and rebels. In a genre saturated with faux apocalyptic tales of teens in peril, here’s an emotionally wrenching narrative out of U.S. history.
Powerful, historically based novel of survival, beliefs, adaptation and resistance.Pub Date: April 23, 2014
ISBN: 978-0615998572
Page Count: 258
Publisher: Helper Publishing
Review Posted Online: Dec. 10, 2014
Review Program: Kirkus Indie
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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