BIG GIRL

HOW I GAVE UP DIETING AND GOT A LIFE

An anti-diet diet book that offers perhaps too much food for thought.

A hard-core dieter pokes fun at herself and the diet industry while trying to overcome her own food obsessions.

Millions of Americans have grown up with calorie counts in their heads, tried-and-true diet tips at the ready, and meticulous food journals in their pockets. And yet, as a nation, we’re heavier than ever. We know that dieting doesn’t really work in the long run, so how about just not dieting? What would happen then? That’s what Refinery29 blogger Miller attempted and what she chronicles in this wry, sometimes overly confessional memoir. Food is a big deal for the author, as we see in vivid scenes of calculated dips into the pantry chocolate-chip stash as a child and any number of “Final Pig-Outs” as a young adult about to start the next big plan, whether Weight Watchers, Atkins, or the Type O Diet. It may not be that big a deal for readers, though, and it can be tiring to read yet another list of foods consumed. Miller does take a look at some of the deeper reasons behind her compulsive eating, and it’s in these passages that her vulnerability comes through and her story becomes truly compelling. Readers will cheer for Miller to succeed on her “anti-diet” diet of intuitive eating, her quest to eat according to her mindfully mined needs and desires, not according to a rulebook. It takes a lot of work to change a mindset that radically, and it’s slow going for Miller, who tends to trade one obsession for another. Still, by the end of her memoir, it’s clear that she is writing more often about friends, family, and career and focusing less on the food itself. Further material regarding this part of the journey would have made for a more satisfying closure, but as Miller herself notes, it’s more about the process than the product.

An anti-diet diet book that offers perhaps too much food for thought.

Pub Date: Jan. 5, 2016

ISBN: 978-1-4555-3263-6

Page Count: 288

Publisher: Grand Central Publishing

Review Posted Online: Sept. 23, 2015

Kirkus Reviews Issue: Oct. 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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