A first novel from Trinidadian-born James (the story collection Jumping Ship, 1992) that turns the coming-of-age of a young Caribbean woman into a disturbing fable—one that movingly evokes the loss of innocence in a lush tropical demi-paradise. James again displays his lyrical gifts in a story that makes the island setting as palpable a presence as his protagonist, young Uxann. Uxann, innocent and dutiful, lives with her father, Seyeh, on a small farm outside the local village. Her mother went off with another man, and now Seyeh carefully protects Uxann from worldly influence. Uxann, a diligent and accomplished student at the local convent, delights in studying, taking care of the farm animals, and keeping house for her beloved father. But it is inevitable—her classmates are already falling in love, getting pregnant, and having to drop-out—that Uxann's innocence cannot endure. In a series of sometimes less-than-credible twists and turns of plot, Uxann painfully and then tragically is expelled from Eden into a horrifying world where old secrets are revealed and new disasters wreak havoc. Her father arranges for her school-friend Keah to help with the housework to earn money against a debt her family owes; Uxann's initial reservations are overcome by her pleasure in having company in the house. But sexually experienced Keah, the designated serpent in the story, soon seduces Uxann's father; Uxann finds out, and in despair gets drunk, which leads to her being unknowingly— and unconvincingly—impregnated by her equally drunk father. A son is born, and Uxann, noting the resemblance to her father, is driven to madness and murder. ``The natural order,'' the routine of the farm, will be her only comfort. A stunning tragedy of carefully calibrated horror and pulsating sensuality that is more a tropical murder of the innocents that a conventional rites-of-passage novel.
Pub Date: Oct. 1, 1993
ISBN: 0-679-42409-1
Page Count: 224
Publisher: Villard
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 1993
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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