A thoughtful and compelling book following the members of a single recruiting class at Penn State's distinguished football program through their college gridiron careers. By the end of their four (and in some cases five) years of college football, the group of 28 young men who had entered the school in August 1988 were reduced to a near-handful by injuries, academic shortcomings, transfers, and graduation. They had come to the small town of State College to play for one of the sport's fabled coaches, Joe Paterno, a man with a reputation for combining coaching excellence with a commitment to academic and ethical integrity. Denlinger, a Penn State alumnus who covers college football for the Washington Post, found that reputation for the most part merited. However, this is neither a bronzing of Paterno nor a whitewash of college sports. Given the trajectories of the young men he covered, that would be impossible. As Denlinger proves, college football is a bruisingly brutal sport, and several of the students he followed found their careers ended abruptly by torn-up knees, battered backs, and a variety of fractures large and small. About midway through the book, Denlinger observes, ``All college football players fall into two categories: The haves and the have-nots.'' To his credit, much of his book focuses on the latter group—from a student manager who improbably became the team's long snapper to the kids who never got much playing time. Finally, he closes by suggesting two major changes in college football: the elimination of artificial playing surfaces and a severe cutback in scholarships. Denlinger captures in equal parts the frustrating pain and the adrenaline-pumping thrill of playing college football at the highest level.
Pub Date: Sept. 23, 1994
ISBN: 0-312-11436-2
Page Count: 304
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
In these insightfully droll essays, Gierach shows us how fishing offers plenty of time to think things over.
The latest collection of interrelated essays by the veteran fishing writer.
As in his previous books—from The View From Rat Lake through All Fishermen Are Liars—Gierach hones in on the ups and downs of fishing, and those looking for how-to tips will find plenty here on rods, flies, guides, streams, and pretty much everything else that informs the fishing life. It is the everything else that has earned Gierach the following of fellow writers and legions of readers who may not even fish but are drawn to his musings on community, culture, the natural world, and the seasons of life. In one representatively poetic passage, he writes, “it was a chilly fall afternoon with the leaves changing, the current whispering, and a pale moon in a daytime sky. The river seemed inscrutable, but alive with possibility.” Gierach writes about both patience and process, and he describes the long spells between catches as the fisherman’s equivalent of writer’s block. Even when catching fish is the point, it almost seems beside the point (anglers will understand that sentiment): At the end of one essay, he writes, “I was cold, bored, hungry, and fishless, but there was still nowhere else I’d have rather been—something anyone who fishes will understand.” Most readers will be profoundly moved by the meditation on mortality within the blandly titled “Up in Michigan,” a character study of a man dying of cancer. Though the author had known and been fishing with him for three decades, his reticence kept anyone from knowing him too well. Still, writes Gierach, “I came to think of [his] glancing pronouncements as Michigan haiku: brief, no more than obliquely revealing, and oddly beautiful.” Ultimately, the man was focused on settling accounts, getting in one last fishing trip, and then planning to “sit in the sun and think things over until it’s time for hospice.”
In these insightfully droll essays, Gierach shows us how fishing offers plenty of time to think things over.Pub Date: June 2, 2020
ISBN: 978-1-5011-6858-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 21, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A broad and deep look at Japan’s medieval referents, and a capable illustration of a martial art form steeped in rich...
A reflective and entertaining journey through Japan, as the author seeks to reconnect with his martial arts sensei.
Lowry is a student of koryu (not to be confused with kendo), a style of Japanese classical swordsmanship. Koryu is a medieval art, like Noh and the tea ceremony, a style of combat born on the battlefield–but more importantly, it’s a way to address the world (though an esoteric one: Lowry may well be the only American practicing the art in the United States). Indeed, present-day practitioners refrain from exercising its fatal possibilities. Lowry’s sensei left the U.S. to return to Japan, urging Lowry to follow. Though his life headed in a different direction, he never forgot his training–when the time was ripe, he journeyed to Japan to join his sensei. The narrative revolves around this pivotal decision, and it provides a warm center from which the author expounds on such topics as the glories of a Japanese bath; the evolution of the Samurai caste; the peculiarities of Japanese landscape architecture; the elements of proper sandal-tying; the custom of the premarital shenanigans called yobai; and the teachings of mikkyo Buddhism. He also includes the vital story of the sword–what it reveals about Japanese life and technology, social structure and aesthetic values, etiquette, apprenticeship and the process of education. Lowry’s seriousness lends an earnest cast to the proceedings, but he’s not without a sense of humor–commenting upon his accomplished slurping of noodles, a friend’s wife notes, “He really sucks!”
A broad and deep look at Japan’s medieval referents, and a capable illustration of a martial art form steeped in rich tradition.Pub Date: Sept. 7, 2005
ISBN: 1-890536-10-5
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
BOOK REVIEW
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