THE VEILED THRONE

The penultimate installment of Liu’s Dandelion Dynasty quartet—after The Wall of Storms (2016)—continues the grand-scale narrative set in the vast fantasy archipelago of Dara as two factions battle for control of the islands.

With the Lyucu invasion and occupation of Dara accomplished—and parties on both sides attempting to maneuver a peaceful path forward—the inhabitants of the islands find life increasingly difficult as Lyucu hard-liners, knowing that massive reinforcements are on the way, push for a world where the warriorlike Lyucu rule supreme and all others are essentially slaves. As the tensions rise, Princess Théra of Dara—daughter of Empress Jia—forsakes the throne to embark on a quest to the Lyucu stronghold of Ukyu-Gondé, trying to find a way to save her country and her subjugated people. But as years pass and Théra falls in love, weds native leader Takval, and has children, the question of what her country is and who her people are becomes complicated. Juggling dozens of main characters and multiple plotlines, Liu manages to keep the momentum brisk and the tension consistently high in this 1,000-plus-page novel. But the real genius here is the fusion of extraordinarily deep worldbuilding with profound (and timely) themes, which include cultural assimilation, identity, intolerance, and more. An extended sequence describing a contest between two popular restaurants battling for bragging rights, for example, is a master class in not only sensory description, but also allegory, as the sequence brilliantly illustrates larger themes explored in the saga—one owner has all the resources while the other must take advantage of ingenuity and innovative thinking to succeed. But ultimately, it’s Liu’s poetic style that makes this book so memorable: “We are embedded in strands of love and hatred, a web that glows in the sunlight of history, bedecked in pearls of blood and fragments of bone.”

This is a shelf-bending fantasy masterwork: as good as it gets.