Written in loose, loping prose, a story that’s entertaining enough, though in the end rather quietly routine.
A jazzy, fluent rendering of the life of an aspiring musician and composer who finds himself jailed for seven years just as his great love gives birth to their child.
Jasper’s third (after Dakota Grand, 2002, etc.) opens with Benjamin Baker, a young, bright African-American boy on the streets of DC, taking a job with Alfonse Mitchell, the successful owner of a neighborhood restaurant. Mitchell, seeing promise in the diligent Baker, invites him to assist in some shady late-night robberies—crimes that help support Mitchell’s enviably lavish lifestyle. Baker, who has become one of Mitchell’s most trusted lookouts during the residential robberies, finds himself entranced by Salamanca, Mitchell’s daughter. (As is Jasper’s writerly habit, there are no average women in his work: they are either pear-shaped, wise older women, or nodes of erotic desire, sweet young things with bustout bosoms and bottoms). Plunged into a deep love that thrums to the beat of Baker’s lively musical compositions, the couple begins to plan a future every bit as bright as their present circumstances foretell. But Baker is set up, takes the fall for Mitchell, and goes to jail shortly after Salamanca confides in him that she’s pregnant. Baker keeps his sanity while he’s inside by remembering Salamanca’s love and thinking about seeing her again—while Salamanca herself goes into hiding from her father, the man who took her lover down. After his release, Baker is tempted to rejoin his musician friends but stays true to his only meaningful goal: to find Salamanca and start things over. Yet the itch for revenge on Mitchell is strong, and though the old man eventually gets his due, Baker narrowly escapes disaster.
Written in loose, loping prose, a story that’s entertaining enough, though in the end rather quietly routine.Pub Date: July 13, 2004
ISBN: 0-7679-1675-1
Page Count: 368
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2004
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
