An entertaining journey with a fun, knowledgeable guide.
A roundup of the best short reads.
Davis, who has written numerous books about literature and history, believes that books of less than 200 pages can be a good antidote to our troubled times and the stream of doom-laden news. For each of the 58 books on his list, which make up a year’s worth of quality literature, he provides a plot summary, a brief biography of the author, the first paragraph of the book, “Why You Should Read It,” and “What To Read Next.” “A short novel is like a great first date,” writes Davis. “It can be extremely pleasant, even exciting, and memorable. Ideally, you leave wanting more….But there is no long-term commitment.” For readers who find Tolstoy or Melville exhausting, short novels prove that brevity can be the soul of not only wit, but also drama, mystery, and poignancy. Many of the books are well known—e.g., The Old Man and the Sea, The Great Gatsby, Charlotte’s Web, Lord of the Flies—and acknowledged as classics. Others—including Yu Miri’s Tokyo Ueno Station and Jamaica Kincaid’s Lucy—deserve wider recognition. James M. Cain’s The Postman Always Rings Twice retains its wham-bam quality despite appearing in 1934, Jeanette Winterson’s Oranges Are Not the Only Fruit is as tasty as the day it was published in 1985. James Baldwin’s If Beale Street Could Talk might even mean more now than when it was first published in 1974. Davis also highlights some excellent novels from recent years—among them, Another Brooklyn by Jacqueline Woodson, The Perfect Nanny by Leïla Slimani, and Dept. of Speculation by Jenny Offill. Davis admits that there are many good novels that he did not include (he provides a supplementary list of titles in an appendix), but his love of books and reading shines through. From 1759 (Candide) to 2019 (The Nickel Boys), he’s got you covered.
An entertaining journey with a fun, knowledgeable guide.Pub Date: Nov. 22, 2022
ISBN: 978-1-982180-03-4
Page Count: 448
Publisher: Scribner
Review Posted Online: June 29, 2022
Kirkus Reviews Issue: Aug. 15, 2022
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A top-flight nonfiction debut from a unique artist.
The acclaimed director displays his talents as a film critic.
Tarantino’s collection of essays about the important movies of his formative years is packed with everything needed for a powerful review: facts about the work, context about the creative decisions, and whether or not it was successful. The Oscar-winning director of classic films like Pulp Fiction and Reservoir Dogs offers plenty of attitude with his thoughts on movies ranging from Animal House to Bullitt to The Texas Chainsaw Massacre to The Big Chill. Whether you agree with his assessments or not, he provides the original reporting and insights only a veteran director would notice, and his engaging style makes it impossible to leave an essay without learning something. The concepts he smashes together in two sentences about Taxi Driver would take a semester of film theory class to unpack. Taxi Driver isn’t a “paraphrased remake” of The Searchers like Bogdanovich’s What’s Up, Doc? is a paraphrased remake of Hawks’ Bringing Up Baby or De Palma’s Dressed To Kill is a paraphrased remake of Hitchcock’s Psycho. But it’s about as close as you can get to a paraphrased remake without actually being one. Robert De Niro’s taxi driving protagonist Travis Bickle is John Wayne’s Ethan Edwards. Like any good critic, Tarantino reveals bits of himself as he discusses the films that are important to him, recalling where he was when he first saw them and what the crowd was like. Perhaps not surprisingly, the author was raised by movie-loving parents who took him along to watch whatever they were watching, even if it included violent or sexual imagery. At the age of 8, he had seen the very adult MASH three times. Suddenly the dark humor of Kill Bill makes much more sense. With this collection, Tarantino offers well-researched love letters to his favorite movies of one of Hollywood’s most ambitious eras.
A top-flight nonfiction debut from a unique artist.Pub Date: Nov. 1, 2022
ISBN: 978-0-06-311258-2
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 31, 2022
Kirkus Reviews Issue: Dec. 1, 2022
SEEN & HEARD
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